Love Story, Duchess Theatre | reviews, news & interviews
Love Story, Duchess Theatre
Love Story, Duchess Theatre
Good taste reigns, perhaps too much so, in stage musical of famous tearjerker

It's not easy these days to stay the course on stage, with one leading female character after another of late failing to make it to the final curtain. I'm thinking of such otherwise diverse heroines as Shakespeare's Juliet and Andrew Lloyd Webber's haunted soprano, Christine, as well as the fraught Fosca of Stephen Sondheim's Passion, who may just remain the last word in women snatched prematurely from the men in their midst. To that list can now be added Jenny Cavilleri, the music-minded 25-year-old at the eternally doomy heart of Love Story, a show whose subtitle could, in fact, be Love Never Dies - except that Jenny, as surely the entire world must already know, sadly does.
It's not easy these days to stay the course on stage, with one leading female character after another of late failing to make it to the final curtain. I'm thinking of such otherwise diverse heroines as Shakespeare's Juliet and Andrew Lloyd Webber's haunted soprano, Christine, as well as the fraught Fosca of Stephen Sondheim's Passion, who may just remain the last word in women snatched prematurely from the men in their midst. To that list can now be added Jenny Cavilleri, the music-minded 25-year-old at the eternally doomy heart of Love Story, a show whose subtitle could, in fact, be Love Never Dies - except that Jenny, as surely the entire world must already know, sadly does.
Buy
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
 The Assembled Parties, Hampstead review - a rarity, a well-made play delivered straight
  
  
    
      Witty but poignant tribute to the strength of family ties as all around disintegrates
  
  
    
      The Assembled Parties, Hampstead review - a rarity, a well-made play delivered straight
  
  
    
      Witty but poignant tribute to the strength of family ties as all around disintegrates
  
     Mary Page Marlowe, Old Vic review - a starry portrait of a splintered life 
  
  
    
      Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut
  
  
    
      Mary Page Marlowe, Old Vic review - a starry portrait of a splintered life 
  
  
    
      Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut 
  
     Little Brother, Soho Theatre review - light, bright but emotionally true 
  
  
    
      This Verity Bargate Award-winning dramedy is entertaining as well as thought provoking
  
  
    
      Little Brother, Soho Theatre review - light, bright but emotionally true 
  
  
    
      This Verity Bargate Award-winning dramedy is entertaining as well as thought provoking 
  
     The Unbelievers, Royal Court Theatre - grimly compelling, powerfully performed 
  
  
    
      Nick Payne's new play is amongst his best
  
  
    
      The Unbelievers, Royal Court Theatre - grimly compelling, powerfully performed 
  
  
    
      Nick Payne's new play is amongst his best 
  
     The Maids, Donmar Warehouse review - vibrant cast lost in a spectacular-looking fever dream 
  
  
    
      Kip Williams revises Genet, with little gained in the update except eye-popping visuals
  
  
    
      The Maids, Donmar Warehouse review - vibrant cast lost in a spectacular-looking fever dream 
  
  
    
      Kip Williams revises Genet, with little gained in the update except eye-popping visuals
  
     Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful 
  
  
    
      Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall'
  
  
    
      Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful 
  
  
    
      Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall' 
  
     Troilus and Cressida, Globe Theatre review - a 'problem play' with added problems
  
  
    
      Raucous and carnivalesque, but also ugly and incomprehensible
  
  
    
      Troilus and Cressida, Globe Theatre review - a 'problem play' with added problems
  
  
    
      Raucous and carnivalesque, but also ugly and incomprehensible
  
     Clarkston, Trafalgar Theatre review - two lads on a road to nowhere
  
  
    
      Netflix star, Joe Locke, is the selling point of a production that needs one
  
  
    
      Clarkston, Trafalgar Theatre review - two lads on a road to nowhere
  
  
    
      Netflix star, Joe Locke, is the selling point of a production that needs one 
  
     Ghost Stories, Peacock Theatre review - spirited staging but short on scares
  
  
    
      Impressive spectacle saves an ageing show in an unsuitable venue
  
  
    
      Ghost Stories, Peacock Theatre review - spirited staging but short on scares
  
  
    
      Impressive spectacle saves an ageing show in an unsuitable venue 
  
     Hamlet, National Theatre review - turning tragedy to comedy is no joke
  
  
    
      Hiran Abeyeskera’s childlike prince falls flat in a mixed production
  
  
    
      Hamlet, National Theatre review - turning tragedy to comedy is no joke
  
  
    
      Hiran Abeyeskera’s childlike prince falls flat in a mixed production
  
     Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts
  
  
    
      Łukasz Twarkowski's production dazzles without illuminating
  
  
    
      Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts
  
  
    
      Łukasz Twarkowski's production dazzles without illuminating
  
     Lee, Park Theatre review - Lee Krasner looks back on her life as an artist 
  
  
    
      Informative and interesting, the play's format limits its potential
  
  
    
      Lee, Park Theatre review - Lee Krasner looks back on her life as an artist 
  
  
    
      Informative and interesting, the play's format limits its potential
  
    
Add comment