Natural Pursuits: Simon Gray at BFI Southbank

share this article

Simon Gray: Through the glass, darkly
Simon Gray: Through the glass, darkly

It’s hardly as if he needed critical resuscitation, but the work of Simon Gray is enjoying a moment in the limelight. Butley, starring Dominic West, is currently on in the West End, while in August BFI Southbank is to show a season of films written by Gray for the small screen and large.

month_in_the_countryAmong his films written for the BBC are his Play for Today double bill Plaintiffs and Defendants and Two Sundays, shown in 1975 and both starring Alan Bates. From his scripts for Screen Two there are After Pilkington starring Bob Peck and Miranda Richardson as childhood sweethearts who meet again in later life, Old Flames, a drama set in the world of barristers with a rare dramatic role for Stephen Fry, also starring Simon Callow and Miriam Margolyes, and They Never Slept, a World War Two drama starring Edward Fox and Harriet Walter. From his screenplays for the cinema there is A Month in the Country, based on JL Carr’s novel about two young men returning from the trenches, supplying Colin Firth and Kenneth Branagh with eye-catching early roles. There is also a screening of Butley, as filmed by Harold Pinter and starring Bates in a career-defining role.

butleyThere are also events after two screenings. After They Never Slept, producer Kenith Trodd and directors Udayan Prasad and Christopher Morahan will reminisce about working with Gray, and Lindsay Posner, director of the West End revival of Butley, will discuss the play after Pinter’s film is screened.

For anyone who can’t wait till August, there is a star-studded reading of Gray’s play The Rear Column, directed by Harry Burton, on Tuesday, 5 July at 6pm at The Print Room, 34 Hereford Road, London W2. Among the actors will be Toby StephensJames Purefoy, Robert Portal, Chris Larkin and Harry Hadden-Paton. Enquire at The Print Room if you want a ticket.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

Bing Liu directs a lukewarm adaptation of Atticus Lish's novel
Underwhelming parody of ‘Downton Abbey’ and its ilk
A tale of forced migration lifted by close-knit farming family, the Conevs
A chiller about celebrity chilling that doesn’t chill enough
The Iranian director talks about his new film and life after imprisonment
Inspiring documentary follows lucky teens at a Norwegian folk school
Seymour Hersh finally talks to a documentary team about his investigative career
Jafar Panahi's devastating farce lays bare Iran's collective PTSD
A queer romance in the British immigration gulag
The French writer-director discusses the unique way her new drama memorialises the AIDS generation
Brilliantly gifted keyboardist who played with the rock'n'roll greats