Yevgeny Sudbin, Wigmore Hall | reviews, news & interviews
Yevgeny Sudbin, Wigmore Hall
Yevgeny Sudbin, Wigmore Hall
Younger-generation Russian pianist shines a brilliant light on the rich and rare
Friday, 29 July 2011
Yevgeny Sudbin: shining a brilliant light on complex worksClive Barda
Older pianomanes may lament the passing of the great Russian schooling that gave us the likes of Sofronitsky, Yudina and Richter. I'm not so sure. The younger generations may have dropped the mystic torch, but their more even-tempered approach can beguile. Yevgeny Sudbin forms the current holy trinity with Boris Berezovsky and Nikolai Lugansky. His latest Wigmore recital was revelatory, not always in a good way; that broad beam needn't have swept every corner of the broad Russian church he so singularly constructed in the programme's second half. But anyone who can make Liszt sound as lucid as Haydn is unique.
Older pianomanes may lament the passing of the great Russian schooling that gave us the likes of Sofronitsky, Yudina and Richter. I'm not so sure. The younger generations may have dropped the mystic torch, but their more even-tempered approach can beguile. Yevgeny Sudbin forms the current holy trinity with Boris Berezovsky and Nikolai Lugansky. His latest Wigmore recital was revelatory, not always in a good way; that broad beam needn't have swept every corner of the broad Russian church he so singularly constructed in the programme's second half. But anyone who can make Liszt sound as lucid as Haydn is unique.
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