fri 15/11/2024

Album: Public Service Broadcasting - Bright Magic | reviews, news & interviews

Album: Public Service Broadcasting - Bright Magic

Album: Public Service Broadcasting - Bright Magic

Willgoose and Wrigglesworth celebrate Berlin

A magical trip around the capital of the Weimar Republic

Public Service Broadcasting’s latest addition in their on-going string of concept albums could reasonably be described as an impressionistic musical portrait of Weimar-era Berlin, even if it steers well clear of anything resembling the decadent jazzy sounds of the time.

That said, there’s considerably more to Willgoose and Wrigglesworth’s exploration of mainland Europe’s premier capital city than a history lesson of its inter-war years. For, even if some of the influences on Bright Magic transparently include the films of Walter Ruttmann and Viking Eggeling, the presence of Marlene Dietrich and the wit and daring of Kurt Tucholsky and Anita Berber, there’s also plenty else, such as a good splash of David Bowie’s late Seventies sojourn in Schöneberg.

Bright Magic is Public Service Broadcasting’s forth studio album and while there is plenty of their characteristic “edutainment” approach, it’s considerably more engaging than their last disc, Every Valley, and certainly less linear. That’s not to say that the south London duo have blundered into prog rock territory, but instead they take on motorik and neo-classical flavours, electronica and cinematic textures and for “The Visitor”, they pretty much reinterpret Bowie’s instrumental classic, “Warzawa” from Low in its entirety.

In addition to long-term confederate, J F Abraham on occasional trumpet, there are also plenty of local collaborators from Berlin itself. There’s a German-language monologue by Blixa Bargeld on “Der Rhythmus der Maschine” and actress Nina Hoss reciting Tucholsky’s “Augen in der Groβstradt” on the more ambient closing track. There’s also singing from EERA on the Teutonic electronica of “People, Let’s Dance” and the woozy melancholy of “Gib mir das Licht”. Andreva Casablanca even helps brings some sparkle to the electro-pop of “Blue Heaven”. For like the city of Berlin itself, Bright Music has quite a variety of sounds, emotions, colours and tempos to offer and will, I suspect, encourage more than a few listeners to head there when international travel once more becomes a joy, rather than a headache.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters