Opera Reviews
Carmen, Live from La Scala broadcastTuesday, 08 December 2009
It was well worth a dash down a rain-deluged Shaftesbury Avenue to catch this live digital broadcast from Milan at the Odeon, Covent Garden. For a start it meant saving a plane fare and a ticket at 250 euros or (much) more, and it also meant eavesdropping in vivid close-up on what may have been a nugget of history in the making at the grand old opera house. Read more...
|
Der Rosenkavalier, Royal OperaMonday, 07 December 2009
Seeking the snows of yesteryear, I remember a time when John Schlesinger's Covent Garden Rosenkavalier filled every moment of Hugo von Hofmannsthal's rococo libretto and Richard Strauss's jewel-studded score with life and meaning. 25 years on, its creator is no more, a revival director (Andrew Sinclair) fails to pull a dramatically variable cast together and many startling new productions have shown more readiness to engage with the opera's Viennese time machine... Read more... |
Otello, LSO, Sir Colin Davis, BarbicanSunday, 06 December 2009
Let's suppose that off-centre genius among opera directors Richard Jones had been asked to bring his imagination to bear on Sir Colin Davis's latest Verdi-in-concert. I imagine he might have weighed up leading men, chorus and the conductor's unexpected blend of manicure with flash alongside swathes of masterful beauty, and decided to follow up his 1940s Windsor Falstaff at Glyndebourne with a 1970s Otello set in Surbiton. Read more... |
Swanhunter, Opera NorthSunday, 22 November 2009
The violin figure which opens Jonathan Dove’s delightful Swanhunter evokes Stravinsky’s L’Histoire du Soldat. The allusion is surely deliberate. Like L’Histoire, and in contrast to Pinocchio, Dove’s large-scale Opera North commission of two years ago, Swanhunter is a 70-minute, chamber-sized work designed for performance in small venues. Read more... |
The Tsarina's Slippers, Royal Opera HouseSaturday, 21 November 2009
A vain, capricious girl sends her lunk of a suitor on a quest for the best ruby slippers in the world, while said lunk's mother, the village witch, cosies up to the Devil. It's a whimsical Christmas Eve tale, exuberantly narrated by Nikolay Gogol in his Ukrainian-based Evenings on a Farm near Dikanka; but you wouldn't think there would be much room for pathos and sentiment. Trust Tchaikovsky to favour the heartfelt and the melancholy in his very characteristic early opera Vakula... Read more... |
Angela Gheorghiu, Royal Festival HallTuesday, 10 November 2009
The famously tempestuous Romanian soprano is, we learn, living a separate life from her husband Roberto Alagna. If Opera's Most Romantic Couple is no more, will Brand Angela be terminally damaged? Surely a showcase performance in the South Bank's International Voices season would be just the thing to rally the faithful and reaffirm Ms Gheorghiu's spectacular star quality, but I must admit that by the time we reached the interval, I was beset with gnawing doubt. Read more... |
Maria di Rohan, Royal Festival HallSunday, 08 November 2009
So many 19th-century opera plots park themselves on fertile historical ground, amid all the colour, character and juice you could ever want, and then spend three hours picking at some anaemic daisies at the edges. It was a worry last night as I watched Donizetti’s Maria di Rohan in concert at the Royal Festival Hall. By sidestepping the heavyweight power players of Louis XIII’s reign, the eminently operatic figures of Cardinal Richelieu (endlessly...
Read more...
|
Duke Bluebeard's Castle/Rite of Spring, ENOSaturday, 07 November 2009
There are horrors in the world so vile that few of us want to think about them. None more so than such cases as Josef Fritzl - or Jaycee Lee Dugard, or Arcedio Alvarez, or Raymond Gouardo, or Wolfgang Priklopil, or Marc Dutroux... but you get the picture. Cases where men abduct girls and turn them into sex slaves and father multiple children by them, often incestuously, hiding them in garages, basements, behind walls, sometimes for decades undiscovered, sometimes murdering them. Read more... |
The Turn of the Screw, ENOFriday, 23 October 2009
Benjamin Britten’s The Turn of the Screw is first and foremost a psychological horror. And psychological horrors are all about rocking the mental boat. Capsizing the mental boat. Sinking the mental boat. David McVicar’s production of The Turn of the Screw for the English National Opera does not rock the mental boat. He doesn't rock any boat. I'm not sure McVicar is in a boat. He plays the work so supremely safe, so PG-safe, so two-condom safe, that I feel McVicar is...
Read more...
|
L'Heure Espagnole and Gianni Schicchi, Royal OperaSunday, 18 October 2009
Will UK Gold now be permanently available at the Royal Opera House? Or was Italian TV being beamed into the auditorium last night by mistake? The 1970s scene before us actually just meant the return of Richard Jones’s inspired sitcom treatment of Ravel’s L’Heure Espagnole and Puccini’s Gianni Schicchi to Covent Garden. Even before the curtain had lifted we were raising a 1970s titter, being prepped for a...
Read more...
|
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
All We Imagine as Light review - tender portrait of three wo...
Documentary maker Payal Kapadia scored this year’s Cannes Grand Prix with her debut feature film, All We Imagine as Light, ...
Jeff Young: Wild Twin review - a box of tricks
The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative...
Album: The Innocence Mission - Midwinter Swimmers
A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map...
Witches review - beyond the broomstick, the cat, and the po...
From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical ...
EFG London Jazz Festival round-up review - youth, age, and t...
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in...
First Person: singer-songwriter Sam Amidon on working in Din...
Walking in the morning from my Airbnb along the road in West Kerry...
EFG London Jazz Festival 2024 round-up review - from Korean...
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues...
All's Well That Ends Well, Sam Wanamaker Playhouse revi...
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught...
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall rev...
There were points when this concert felt like the musical equivalent of watching the atom...