Opera Reviews
A Midsummer Night's Dream, Opera NorthSunday, 29 September 2013
All starts with a barely perceptible bass rumble, before Britten’s lower strings begin their queasy glissandi, shifting key signature every few seconds. It’s a wonderful operatic opening, here teased out with deft mystery by conductor Stuart Stratford. Read more... |
Fidelio, English National OperaThursday, 26 September 2013
The first words we hear don’t belong to Fidelio at all. The first music does, but not at all where you expect to find it. If you’ve read your programme (and who does before the show begins?) you’ll find a poem entitled “Labyrinth” by Jorge Luis Borges from a collection In Praise of Darkness. Read more... |
Elektra, Royal OperaTuesday, 24 September 2013
“Strike again,” cries Elektra as her brother stabs their mother to death. It’s third strike lucky for this Covent Garden production of Richard Strauss and Hugo von Hofmannsthal’s singular mythic horror. In previous manifestations of designer-director Charles Edwards’ rather over-freighted but ever improving staging, conductors Semyon Bychkov and Mark Elder, as well as top-less soprano Lisa Gasteen and the more nuanced but sometimes underpowered Susan Bullock, missed the heart of the matter... Read more... |
American Lulu, Young VicThursday, 19 September 2013
We all know the drill: Wedekind’s Lulu is a page men have written on through the centuries, the canvas on which they have painted their desires, the feminine void they have filled. The patriarchy have appropriated her, and the perverts, and now it’s contemporary composer Olga Neuwirth’s turn. Read more... |
Le nozze di Figaro, Royal OperaTuesday, 17 September 2013
Revivals, especially at Covent Garden, too often wrong-foot high expectations. Read more... |
Rigoletto, LSO, Noseda, BarbicanMonday, 16 September 2013
This season opener was about closure too. The London Symphony Orchestra was back at the office last night, but this fresh stretch of concerts opened with an opera it has been performing while also acquiring a suntan in Aix-en-Provence. A new cast of singers replaced gaudy costumes and facepaint with elegant evening garb, and semi-acted their roles on the thin strip of forestage not occupied by the massed ranks of the orchestra. Read more... |
Maria Stuarda, Welsh National OperaSaturday, 14 September 2013
Last week Anne Boleyn, this week Mary Queen of Scots. Donizetti’s trawl through the Tudor monarchs and their victims was more a recurrent obsession than a systematic exploration. WNO, on the other hand, seem to be implying some Ring-like continuity. Read more... |
Paul Bunyan/The Secret Marriage, British Youth Opera, Peacock TheatreThursday, 12 September 2013
It’s raining Bunyans, and since Britten’s early American operetta with its sights originally set on Broadway teems with song and invention that can’t be a bad thing. A fortnight after Welsh National Youth Opera commandeered Stephen Fry to voice-over the giant American folk hero of the title, their counterparts in BYO are offering London its first production for 15 years. Read more... |
Anna Bolena, Welsh National OperaSunday, 08 September 2013
“Let the florid music praise,” sing Britten and Auden in their On This Island cycle; and I suppose we must do as we’re told, though aesthetic duty can be a hard taskmaster. For me it cracks its whip in the three Donizetti operas that, inexplicably, comprise almost the entire autumn repertoire of WNO, while other companies are, ironically enough, celebrating Britten’s centenary. The Welsh have just done, it’s true, an admirable Paul Bunyan, Britten’s first opera. Read more... |
Prom 72: Calleja, Orchestra Sinfonica di Milano Giuseppe Verdi, ZhangFriday, 06 September 2013
It was too little too late to redress the scant attention gives to Verdi’s bicentenary at this year’s Proms but the “Maltese Tenor” – Joseph Calleja – arrived with an eleventh hour offering of low-key Verdi arias and joining him was the Milanese orchestra bearing the composer’s name. Calleja’s growing legions of fans were much in evidence, of course, more Maltese than Italian flags, but what can they have made of the music stand which came between them and their hero? Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Interview: Polar photographer Sebastian Copeland on a lifeti...
Sebastian Copeland’s images of the Arctic may look otherworldly – with their tilting cathedrals of ice, hypnotic light, and fractured seascapes...
Rats on Rafts, The Victoria review - crepuscular Dutch quint...
An album is one thing, a live show is another. A truism of course, but one which is inescapable during this London date by the Rotterdam-based...
Jessica Duchen: Myra Hess - National Treasure review - well-...
Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent...
Blu-ray: Drugstore Cowboy
Rehab people will tell you there are three stages to drug abuse: fun; fun with problems; problems. There’s also a fourth phase, where there aren't...
A Thousand Blows, Disney+ review - Peaky Blinders comes to R...
Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...
Fledermaus, Irish National Opera review - sex, please, we...
Let’s finally face the elephant in the room: the most popular Viennese operetta, packed with hit numbers, no longer works on the stage as a whole...
Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...
The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...
The Capulets and the Montagues, English Touring Opera review...
A year ago, after a deeply disappointing Manon Lescaut at Hackney Empire, I wrote here that English Touring Opera had often excelled in...
Harry Hill, Wilton's Music Hall review - madcap comic o...
Harry Hill reminds us at one point during his latest touring show that he’s 60, but there’s no let-up in the energy he brings to ...