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The Elixir of Love, English National Opera review - a tale of two halves
Flat first act, livelier second, singers not always helped by conductor and director
The Sound Voice Project, Linbury Theatre review - an art installation that has strayed into an opera house
A worthy project fails to ignite as art
The Tales of Hoffmann, Royal Opera review - three-headed monster feels baggier than ever
Offenbach left multiple choices for his swansong, but this production lacks the key
Rigoletto, English National Opera review - another hit for Miller's Mob
More tragic than gimmicky, this classic staging can still succeed
theartsdesk at Wexford Festival Opera - let's make three operas
Donizetti triumphs, with help from Bernstein, Rossini, two stars and director Orpha Phelan
Albert Herring, Scottish Opera review - fun, frivolity, and fine music-making
A witty production of Britten's clever comedy that's bound to leave you smiling
Le nozze di Figaro, The Mozartists, Page, Cadogan Hall review - cogency, intelligence and reverence
A celebration of Mozart from the supreme stylists
A Midsummer Night’s Dream, Opera North review - one of the best and funniest
Perspex and bubblewrap for a Sixties take on Britten's Shakespeare
The Turn of the Screw, English National Opera review - Jamesian ambiguities chillingly preserved
Pity and terror in Ailish Tynan’s anguished Governess and Isabella Bywater’s production
Trouble in Tahiti/A Quiet Place, Linbury Theatre review - top cast plays unhappy families
Mini-masterpiece and splashy sequel carried off with as much conviction as they can take
Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods
Judith Weir’s chamber opera explores Freudian themes through a modern lens
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