Reviews
alexandra.coghlan
When we first meet Sarah, the teenage heroine of Freya Waley-Cohen’s WITCH, she’s alone in her bedroom Googling “How to stop feeling shitty?”. She’s being bullied and sexualised by boys at school, but she could just as easily be asking on behalf of any one of her operatic forebears: Manon; Carmen; Armida; Alcina; Butterfly; Elvira.This triple bill, which frames Waley-Cohen’s new work with Monteverdi and Strauss’s takes on the abandoned and betrayed Ariadne/Arianna, offers a statement about the female experience – AKA operatic variations on feeling shitty.Too often lectures when it should live Read more ...
Jonathan Geddes
Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait.A glowing logo with the band name on it hung above the stage in the converted church that is St Luke’s, and like a punky Bat Signal, when lit up the band appeared, with bassist Bella Podpadec in particular Read more ...
Kieron Tyler
At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water.After nine tracks the album ends with “I havn,” a hymnal composition with wordless vocals and a series of crescendos. Once it’s all over, the lingering feeling is of having leafed through old photo albums, the sense that frozen pasts are trying to assert their presence in the present; that Bortenfor – the title Read more ...
Christopher Lambton
To stage a double bill of unusual 20th century Russian operas would be brave at the best of times. To do so in the Fair City of Perth amply demonstrates Scottish Opera’s laudable commitment to extend its influence beyond the Edinburgh-Glasgow cultural axis. Perth is blessed with a fine old theatre and a superb modern wood-panelled concert hall, but it’s a good 90 minutes from Scottish Opera’s base in Glasgow and more often than not simply bypassed by holidaymakers heading for the heather and snowclad peaks of the Highlands.Rachmaninov’s The Miserly Knight and Stravinsky’s Mavra are an Read more ...
Annabel Bai Jackson
No mental health condition has become quite as kitsch as obsessive-compulsive disorder. Its tacky shorthands – the hand washing, the germaphobia, the clean freaks – have made their way into everything, from Buzzfeed listicles to The Big Bang Theory. As for literature, there’s a gaping OCD-shaped hole. Depression gets William Styron’s Darkness Visible, psychosis Daniel Paul Schreber’s Memoirs of My Nervous Illness. But the implicit cultural understanding of OCD as “quirk” has made it unworthy of literary treatment: insufficiently disturbing for trauma plots, and too specific to be a metaphor Read more ...
Guy Oddy
It’s been 14 months since the release of Wardruna’s most recent album – Kvitravn. However, repeated waves of Covid have since prevented them from going a-viking and bringing their new show to live audiences around the UK.Nevertheless, both the band and their fans’ patience was finally rewarded this week, as Einar Selvik’s seven-piece band of Norsemen and women came to Birmingham’s Symphony Hall for the first time. However, anyone who might be thinking that a 2,000 plus seater might be a bit of a stretch for a relatively niche group of artists whose sound falls somewhere between ambient folk Read more ...
aleks.sierz
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer hype this event takes some beating: two-time Olivier Award-winning star Ruth Wilson (last seen doing her sinister stuff in the BBC’s His Dark Materials) has teamed up with boundary-smashing director Ivo van Hove (whose A View from the Bridge was a decade highlight) to stage Jean Cocteau’s 1930 monologue about a woman waiting for her lover to phone. Part of the hype is the hot cakes effect — the show is in the West End for 31 performances only.Wilson plays the unnamed woman, a role which both Read more ...
Richard Bratby
JS Bach’s Passions as music theatre? Well, why not? Whatever the aura of untouchability around these works, they were always conceived as part of a bigger picture: a communal sacred ritual in which the divide between performer and audience wasn’t so much blurred as nonexistent.Anything that gets us closer to that experience surely serves Bach’s ends; at any rate, something needs to be done to break these works out of the curious sterility of so many modern concert performances or the frosty purity of the recording studio. In that light, English Touring Opera’s decision to tour the St John Read more ...
Laura de Lisle
It’s not hard to see, watching Tom Fool at the Orange Tree Theatre, why Franz Xaver Kroetz is one of Germany’s most staged playwrights.Born in Munich in 1946, he’s known for unflinching portrayals of poverty and what it does to people. Directed sensitively by Diyan Zora, this production is a masterclass in what critic Richard Gilman dubbed “the theatre of the inarticulate” – but it does leave us yearning for a little more depth.The inarticulate in this case are the Meier family, of 1970s Bavaria. Martha (Anna Francolini) looks after the home while her husband Otto (Michael Shaeffer, pictured Read more ...
Robert Beale
Continuing the joint BBC Philharmonic/Hallé celebration of Vaughan Williams, Sir Andrew Davis took on the job of presenting three substantial works on Saturday.Toward the Unknown Region has given its title to the entire series, not a bad choice of phrase for the career of a composer whose intellectual curiosity and visionary capacity never left him: the phrase is that of the poet Walt Whitman, and the piece itself is a setting of a five-stanza poem for chorus, orchestra and organ.It's early Vaughan Williams, written when he was working on the music of The English Hymnal, and in many ways it Read more ...
Adam Sweeting
Two years ago, the fourth season of The Last Kingdom (Netflix) found the Saxon saga not quite hitting peak form, possibly reeling from the fallout of the haunting death of King Alfred (David Dawson). Happily, any doubts are blown away with the arrival of 5, in which the show’s trademarks of knotty dynastic rivalry, anguished romantic entanglements and horrifying eruptions of bloodthirstiness are all roaring ahead at full blast. Sadly, they say this series will be the last, though a feature film may be in the works.Some things have changed (we are now without Ian Hart’s stalwart Beocca, Read more ...
Boyd Tonkin
The four years of Angela Hewitt’s globe-trotting “Bach Odyssey” confirmed time and again that she brings a nonpareil artistry and authority to the most demanding, and rewarding, of all keyboard repertoires. Yet the Canadian pianist, as we already knew, carries plenty of other arrows in her musical quiver. At the Wigmore Hall on Saturday, her mixed programme blended some choice Bach – four selections from the Well-Tempered Clavier’s second book – with a brace of Mozart sonatas, along with works by Ravel and Chabrier. Her recordings of the latter pair’s solo piano pieces emphatically prove her Read more ...