Classical CDs
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Bruckner: Symphony No. 7 Tonhalle-Orchester Zürich, Paavo Järvi (Alpha)Parsifal Suite London Philharmonic Orchestra/Andrew Gourlay (Orchid Classics)There are many things to like about this sleek performance of Bruckner 7. The playing of the Tonhalle-Orchester Zürich under Paavo Järvi is polished, and the speeds are well-chosen, Järvi especially good at managing the transitions between the different blocks of music. He’s blessed with a fabulous brass section, and it’s a joy to hear the tuba quintet at the start of the “Adagio” singing so clearly, the individual voices so well delineated Read more ...
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Vaughan Williams: Fantasia on a theme by Thomas Tallis, Elgar: Introduction and Allegro etc Sinfonia of London/John Wilson (Chandos)John Wilson has done it again! He is, at breakneck speed, building an extraordinary catalogue of recordings with his supergroup, the Sinfonia of London, which is – particularly in the realm of British string orchestra music – setting the pace both in terms of revelatory performances of canonic works and disinterred forgotten gems. Into that latter category must go last year’s wonderful John Ireland survey, and likewise the Berkeley and Bliss from 2021’ Read more ...
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Roger Norrington: The Complete Erato Recordings (Erato)Richard Osborne’s booklet essay contains some telling words from Sir Roger Norrington, tucked away at the end of the final paragraph: “I don’t mind if a performance is unhistorical; I do mind if it isn’t fun.” And, whatever your opinions on Norrington’s hard-line, zero-vibrato approach, there’s plenty of fun spread over these 45 discs, all recorded with the conductor’s own London Classical Players. Dipping into his Beethoven symphony cycle takes one back to the late 1980s when the individual discs were bestsellers on EMI’s Reflexe Read more ...
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Dvořák: Symphonies 1-9, Legends, Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)The advantage of having all the Dvořák symphonies in one handy box is that you can explore the works that rarely get an airing; apart from playing through the scherzo of Symphony No. 4 in a youth orchestra many years ago, I’ve never heard a note of Nos. 1-6 performed live. More’s the pity. There’s some fabulous music in the early symphonies and it’s interesting to hear pre-echoes of Dvořák’s late style. The luminous string writing in No. 4 looks ahead to the radiant G major Read more ...
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At the risk of sounding like a scratched record (or a cracked CD), it’s reassuring to know that you can still buy new recordings in physical formats. Granted, CDs do take up shelf space, but in most cases they sound better than most downloads and usually come with sleeve notes and texts. Pianist Beatrice Berrut’s Jugendstil (la dolce volta) contains the Swiss pianist’s transcriptions of movements from Mahler’s 3rd, 5th and 6th Symphonies and Schoenberg’s Verklärte Nacht. They’re highly effective, the “Tempo di minuetto” from the 3rd Symphony a folksy delight and No. 6’s “Andante moderato Read more ...
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In Márta’s Garden Katharina Weber (piano) (Intakt)The Márta of the title of this solo piano album by many-faceted Swiss pianist, composer and teacher Katharina Weber (b. 1958) is Márta Kurtág (1927 -2019). Weber first got to know the Kurtágs in 1989, and stayed in dialogue with them for three decades. She has performed and taught their music extensively (two of her previous albums on Intakt include it), she visited them often in Hungary, and her own compositional practice has been influenced and mentored by them. This solo piano album both starts and finishes with a piece by Read more ...
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GoldMund, Anna Veit: Mehr Oder Weniger Lametta – arrangements of Tchaikovsky, Bach, Humperdinck, Martin Luther, John Rutter (Solo Musica)What works best here are the classy, and occasionally witty and wacky brass arrangements, plus some very fine brass and percussion playing indeed from a group of top players from the Munich Philharmonic, above all their fabulous Portuguese-born principal tuba, Ricardo Carvalhoso. Some of this album needs to be filed under "you probably have to be Bavarian", and with no translations in the brochure, a lot does go missing. "Lametta" in the album title is Read more ...
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Secret Love Letters – music by Franck, Szymanowski, Chausson and Debussy Lisa Batiashvili (violin) Giorgi Gigashvili (piano), Philadelphia Orchestra/Yannick Nézet-Séguin (DG).The concept and the packaging had made me far too sceptical. Once I had listened, I was won over by the sheer emotional presence and the persuasive whole-heartedness of Lisa Batiashvili’s violin playing. “Secret Love Letters” is a programme of four works. On the surface, they are loosely themed around whether emotional truth is to be hidden or revealed. "We often even define our daily life by the things we keep to Read more ...
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Hélène de Montgeroult: Études Clare Hammond (piano) (BIS)“How can music of this quality and vision be forgotten so comprehensively for so long?”, asks pianist Clare Hammond. It is the right question. The piano music of Hélène de Montgeroult (née Hélène Antoinette Marie de Nervo, 1764-1836) is becoming better known, not least because of the detective work of musicologist Jérôme Dorival. Belgian-Israeli pianist Edna Stern released a selection on a period Pleyel piano in 2017. Then came the complete Piano Sonatas from Monaco's Nicolas Horvath. And now come 29 of the 114 Études of de Read more ...
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The Playhouse Sessions: Bjarte Eike, Barokksolistene (Rubicon)The Playhouse Sessions is a follow-up to the irresistible Alehouse Sessions, in which Bjarte Eikke and his Barokksolistene recreate a 17th century London pub gig, where sea shanties and rumbustious dance tunes rub shoulders with Purcell. I was very disappointed to miss the recent live London outing for both these projects (reviewed by David Nice for theartsdesk) and while nothing can quite match being in the room, the Playhouse Sessions in recorded form still offers more musical revelation and sheer fun than anything else I Read more ...
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Colourise London Choral Sinfonia/Michael Waldron, with Roderick Williams (baritone), Andrew Staples (tenor), Elena Urioste (violin) (Orchid)Colourise, the latest album from by the London Choral Sinfonia, proved revelatory: I came for the Vaughan Williams, but got unexpectedly drawn in by the Lennox Berkeley. His Variations on a Hymn by Orlando Gibbons gets its premiere recording and is a piece I am very pleased to know: it grows engagingly from a humble beginning, solo strings quietly mimicking viols, before growing to fill its 19-minute duration without feeling a moment too long. Read more ...
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Mozart: The Piano Sonatas (Robert Levin, playing Mozart’s fortepiano) (ECM New Series)There is no doubt about the brilliant uniqueness of pianist, conductor, musicologist and one-time Nadia Boulanger pupil Robert Levin, an influential Harvard Professor for more than two decades until his retirement in 2014. Turn the clock back 30 years, and Levin’s presentational style was much more disputative back then than it is these days: in a memorable contribution to Derek Bailey’s 1992 Channel 4 series on improvisation “On the Edge” he railed against Mozart performances that were “ Read more ...