Sam Marlowe
Bio
Sam trained as an actor, and began her writing career as a critic and features writer for What's On In London magazine. She later became the magazine's theatre editor, before going on to work at The Independent, where she regularly contributed arts features. She is now a freelance arts journalist and regular theatre critic for The Times, Metro and the Chicago Tribune, and a judge for Theatre Awards UK.

articles by Sam Marlowe

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
“John Coltrane, he’s a major influence on this record. The instrumental on the A-side is an abstraction of the jazz musician named John…
Rambert is celebrating its first 100 years with a triple bill that emphasises the youthful vitality of the company. “We’re 100, and we’re…
The finale of the Royal Ballet’s 2025-26 programming is an extraordinary sight. At the curtain call for Salle de danse, a world premiere…
Anybody who relished the blistering family rows of Bad Jews or Admissions might be surprised by what their author, Joshua Harmon, wrote…
I just don’t get it. Jon Batiste, deservedly, has a huge career as pianist, composer, inspirer. The prospect of his forthcoming extended…
In the world of contemporary classical music, it takes confidence to launch your seasonal programme with an 18-year-old performer, and no…
Berlioz's intended companion for his Symphonie fantastique was Lélio, or the Return to Life - an assemblage of mostly magical earlier…
“Enola Gay” is perfect pop, the ultimate party-uplift banger. It’s that rare song which only seems to grow better as the years, then…
This beguiling “semi-staged” performance of Mahler’s First Symphony is the latest attempt in a growing movement to interrogate the…