Marianka Swain
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain
Articles By Marianka Swain
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Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Album: Little Simz - Lotus
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...
In Praise of Love, Orange Tree Theatre review - Rattigan...
Terence Rattigan's rehabilitation - some might almost say...
Letters from Max, Hampstead Theatre review - inventively sta...
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...
Bradford City of Culture 2025 review - new magic conjured fr...
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....
Album: Death In Vegas - Death Mask
A long time ago, in a galaxy far, far away called the late 1990s,...
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...
Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...
Blu-ray: Eclipse
What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...