mon 10/03/2025

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

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Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

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Paul Lewis, Wigmore Hall review - superlative Schubert

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Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

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Ólafsson, LPO, Gardner, RFH review - spirit of delight

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Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

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Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

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Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

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Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

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theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

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Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

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Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

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Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

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theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

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Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

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Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...

“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. 

Tamara...

Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story

I come to this album from a week or so spent among the denizens of the New York and Boston...

Music Reissues Weekly: Liverpool Sunset - The City After Mer...

What happens after the spotlight is directed towards another target? In the case of Liverpool and the Merseybeat boom – which, in terms of chart...

Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican re...

Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world...

Drive to Survive, Season 7, Netflix review - speed, scandal...

Last year’s sixth season of Drive to Survive radiated an air of diminishing returns. It was as though the novelty of its spy-in-the-...

Bonhoeffer review - flawed biopic of a saintly man of courag...

The German theologian, pastor and anti-Nazi dissident Dietrich Bonhoeffer (1906-1945) was a saintly, courageous figure, of major historical...

Matt Forde, Touring review - politics, poo and Viagra

Matt Forde gives a warning: “Don’t heckle the disabled – that’s a hate crime.” What an opener for his latest touring show, The End...

Twiggy review - portrait of a supermodel who branched out

When Twiggy burst on to the scene in 1966, she was a beacon of hope for all flat-chested, short-haired, skinny girls. Of course we couldn’t look...