Saskia Baron
Articles By Saskia Baron
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Yeah Man, It's Bloody Heavy
The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...
Album: Bryan Ferry and Amelia Barratt - Loose Talk
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other...
Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...
On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...
Album: Will Smith - Based on a True Story
Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...
Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...
Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...
Wilko: Love and Death and Rock'n'Roll, Southwark P...
Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...
The End review - surreality in the salt mine
The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...
Playhouse Creatures, Orange Tree Theatre review - jokes, shi...
Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...