mon 02/06/2025

james woodall

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Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

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The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

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theartsdesk Q&A: Theatre Producer Elyse Dodgson

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Titus Andronicus, RSC, Barbican review - blood will out

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Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

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The Tempest, Barbican Theatre review - sound and fury at the expense of sense

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It Was Fifty Years Ago Today! review - without a little help from their friends

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Shakespeare Trilogy, Donmar at King's Cross

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10 Questions for Director Lucy Bailey

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The Beatles: Eight Days a Week - The Touring Years

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The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

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theartsdesk at the Holland Festival

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George Martin (1926-2016), record producer and 'fifth Beatle'

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Rio+Film, Barbican

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Hot August Night: The Beatles at Shea Stadium

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The Story of The Beatles' Last Song

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latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...