fri 28/03/2025

Boyd Tonkin

Articles By Boyd Tonkin

Kaleidoscope Chamber Collective, Hatfield House review - musical dreams in marble halls

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BBC Singers, BBCSO, Jeannin, Barbican review - from stormy weather to blue skies

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The Snowmaiden, English Touring Opera review - a rich harvest with modest means

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Hough, Philharmonia, Rouvali, RFH review - where the wild things are

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroines

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Prom 71, Seong-Jin Cho review - refined Romantic journeys

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Prom 61, Bavarian Radio Symphony Orchestra, Rattle review - Bruckner without tears

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Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feeling

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Prom 37, War Requiem, Clayton, Liverman, Romaniw, LSO, Pappano review - terror and tenderness

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Prom 31, Mutter, West-Eastern Divan Orchestra, Barenboim review - beauty against barbarism

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Prom 24, The Fairy Queen, Les Arts Florissants/Le Jardin des Voix, Agnew review - hip-hop hornpipes

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Prom 21, Osborne, Sinfonia of London, Wilson review - a spectacular drive across America

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theartsdesk at the Ryedale Festival: dances, and songs, to the music of time

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Prom 5, BBC National Orchestra of Wales, Bancroft review - a luxury orchestral cruise

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ll Segreto di Susanna/Pagliacci, Opera Holland Park review - on with the motley, out with the fags

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Orlando, Academy of Ancient Music, Cummings, Barbican review - madly beautiful

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...

Playhouse Creatures, Orange Tree Theatre review - jokes, shi...

Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...

Album: Perfume Genius - Glory

I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...

La finta giardiniera, The Mozartists, Cadogan Hall review -...

Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...

La Cocina review - New York restaurant drama lingers too lon...

La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...

Album: Alison Krauss & Union Station - Arcadia

It’s been 14 years since Alison Krauss and Union Station released an album – 2011’s Paper Aeroplane. The world’s shed a few skins since...

Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester revie...

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of...