wed 11/09/2024

Boyd Tonkin

Articles By Boyd Tonkin

Bach's Easter Oratorio, OAE, Whelan, QEH review - the joys of springtime

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Winterreise, Clayton, Aurora Orchestra, Collon, QEH review - new maps for the great journey

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theartsdesk in Strasbourg: crossing the frontiers

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The Magic Flute, English National Opera review - return of an enchanted evening

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Manon Lescaut, English Touring Opera review - a nightmare in too many ways

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Lugansky, Strasbourg Philharmonic Orchestra, Letonja, Cadogan Hall review - Russian soul, French flair

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Segev, LPO, Lyniv, RFH review - melody, magic, and mourning

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Williams, Kenny, Wigmore Hall review - an afternoon of early-Baroque bliss

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Gerhaher, Huber, Wigmore Hall review - new colours from old favourites

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Polyphony/OAE, Layton, St John's Smith Square review - truncated triumph

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London Handel Players, Butterfield, Wigmore Hall review - Bach with bite for Christmas

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Mariam Batsashvili, Wigmore Hall review - spectacular pianism, with a sense of fun

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I Fagiolini, Hollingworth, St Martin-in-the-Fields review - it's not the Messiah...

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Morison, Immler, BBCSO, Bychkov, Barbican review - a Kafka journey and a mighty landmark

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West-Eastern Divan Ensemble, Michael Barenboim, QEH review - enchantment and conviviality

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Perfection of a Kind: Britten vs Auden, City of London Sinfonia, QEH review - the odd couple

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Album: Tindersticks - Soft Tissue

It has to be hoped that Stuart Staples’ songs for Tindersticks aren’t a reflection of his actual life experiences. No-one really deserves that...

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre...

The Mad Hatter gets it about right when he tells Alice: “You’re entirely bonkers… but all the best people are.” Kate Prince takes this line and...

La traviata, Royal Opera review - a charismatic soprano in a...

Later this autumn Richard Eyre’s La Traviata celebrates its 30th birthday. Not bad going for the director’s first ever foray...

Red Rooms review - the darkest of webs

A woman sits at her computer. She copy-pastes an address into a search engine. She goes to street view. She zooms in. Click. Opens...

Sambre: Anatomy of a Crime, BBC Four review - satisfying nov...

Like the BBC’s documentary series The Yorkshire Ripper Files before it, the French six-part drama Sambre on...

Beetlejuice Beetlejuice review - a lively resurrection

Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since...

Blu-ray: Floating Clouds

Once regarded as highly as Kurosawa and Ozu, Japanese director Mikio Naruse’s star has fallen in recent decades, with few of his films readily...

Starve Acre review - unearthing the unearthly in a fine folk...

Blame the high cost of city housing, or killer smog. What else can explain a bright young couple’s move from 1970s...

First Person: Alexandra Dariescu on highlighting women at th...

This year, I am delighted to be supporting the Alexandra Dariescu Award at the Leeds International Piano Competition for an outstanding...

Proms 63-65, Choral Day review - from Harris to Handel/Mozar...

The Proms’ Indian summer of big visiting orchestras is over – and what a parade...