tue 17/09/2024

Boyd Tonkin

Articles By Boyd Tonkin

Cabell, LSO, Rattle, Barbican review - transatlantic traffic

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María Gainza: Portrait of an Unknown Lady review – queens of the unreal

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MacMillan Christmas Oratorio, LPO, Elder, RFH review – a new star for the season

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Imogen Cooper, Wigmore Hall review - calm waters run deep

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Balsom, Daniel, Poster, Britten Sinfonia, Stroman, Milton Court review – kinds of blue

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Claire Tomalin: The Young H.G. Wells review – days of the comet

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Coote, Jackson, Drake, Middle Temple Hall review – Mahler's long goodbyes

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Hahn, Philharmonia, Chan, Royal Festival Hall review – nature's angels and demons

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Selva Almada: Brickmakers review – men dying for love

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Monteverdi Vespers, La Nuova Musica, Bates, Wigmore Hall review - small venue, huge impact

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Mary Wellesley: Hidden Hands review - passion in the parchment

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Don Pasquale, Glyndebourne Tour review - winning comeback for a sturdy veteran

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The Creation, Academy of Ancient Music, Cummings, Barbican review - back to choral paradise

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Iestyn Davies, Aurora Orchestra, Collon, Kings Place review - Elizabethans and extraterrestrials

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Nicola Benedetti, Barbican Hall review – from Bach to the Highlands via New Orleans

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St Matthew Passion, Arcangelo, Cohen, BBC Proms review – journey to the end of night

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...