fri 30/05/2025

Boyd Tonkin

Articles By Boyd Tonkin

Margot La Rouge/Le Villi, Opera Holland Park review – Parisian fancies and Black Forest gâteau

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Otello, Grange Park Opera review - angels and demons

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Fidelio, Insula Orchestra, Barbican review - truth and justice brought to light

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Kožená, LSO, Rattle, Barbican review - Berlin to Broadway, and back

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Faust, English Baroque Soloists, Gardiner, St Martin-in-the-Fields review – gusto and grace

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Alejandro Zambra: Chilean Poet review - from here to paternity

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Angela Hewitt, Wigmore Hall review - grand tour in a luxury vehicle

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Wang, Czech Philharmonic, Bychkov, Barbican review - the sound of history

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Cabell, LSO, Rattle, Barbican review - transatlantic traffic

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María Gainza: Portrait of an Unknown Lady review – queens of the unreal

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MacMillan Christmas Oratorio, LPO, Elder, RFH review – a new star for the season

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Imogen Cooper, Wigmore Hall review - calm waters run deep

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Balsom, Daniel, Poster, Britten Sinfonia, Stroman, Milton Court review – kinds of blue

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Claire Tomalin: The Young H.G. Wells review – days of the comet

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Coote, Jackson, Drake, Middle Temple Hall review – Mahler's long goodbyes

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Hahn, Philharmonia, Chan, Royal Festival Hall review – nature's angels and demons

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MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has...

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For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan...

10 Questions for musician Michael Gira

Michael Gira (born 19/2/54) is an American singer-songwriter, composer, author and artist. He founded Swans, a band in which he sings and plays...

Album: Miley Cyrus - Something Beautiful

A couple of months ago, I wrote here that Lady Gaga was the godmother of the new generation of ostentatiously “theatre kid” pop stars – but...

Album: Garbage - Let All That We Imagine Be The Light

Garbage’s eighth album, Let All That We Imagine Be the Light, arrives with weighty intentions and a strong sense of purpose, but the end...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his...

The Flying Dutchman, Opera Holland Park review - into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...