sat 21/12/2024

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Small Things Like These review - less is more in stirring Irish drama

Read more...

Oedipus, Wyndham's Theatre review - careful what you wish for

Read more...

The Other Place, National Theatre review - searing family tragedy

Read more...

The Real Thing, Old Vic review - Stoppard classic keeps on giving

Read more...

Sing Sing review - prison movie with an abundance of heart

Read more...

Only the River Flows review - damp noir

Read more...

Mnemonic, Olivier Theatre review - thanks for the memories

Read more...

Kinds of Kindness review - too cruel to be kind

Read more...

Furiosa: A Mad Max Saga review - just as mad without Max

Read more...

People, Places and Things, Trafalgar Theatre review - a scintillating shot in the arm

Read more...

La Chimera review - magical realism with a touch of Fellini

Read more...

Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

Read more...

The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love

Read more...

Harry Clarke, Ambassadors Theatre review - an entertaining curio

Read more...

Double Feature, Hampstead Theatre review - with directors like these, who needs enemies

Read more...

Eureka review - not enough to shout about

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Albums of the Year 2024: Samara Joy - Portrait

From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been...

Nutcracker, English National Ballet, Coliseum review - Tchai...

No new production of a beloved old ballet can please everyone, and there is none more beloved, or more frequently produced, than ...

You Me Bum Bum Train, secret location review - a joyful mult...

This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride...

The Tempest, Theatre Royal, Drury Lane review - Sigourney We...

Shakespeare must have relished the opportunities brought by the indoor...

Albums of the Year 2024: Mercury Rev - Born Horses

Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through...

Strike: The Ink Black Heart, BBC One review - protracted, co...

The man whose name sounds like a major aviation accident, private...

Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño M...

My Spotify Wrapped this year is somewhat at odds with my Album of 2024. My ‘Van Life Folie Americana’ phase of Spring (presumably due to the...