mon 11/12/2023

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

The House of Bernarda Alba, Lyttelton Theatre review - dazzling darkness

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Ghosts, Sam Wanamaker Playhouse review - a claustrophobic descent into purgatory

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Powell and Pressburger: Spy masters

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Lyonesse, Harold Pinter Theatre review - a step backwards for #MeToo

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Martin Scorsese's 'Mean Streets' - a triumph of personal filmmaking

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Foe review - unsettling sci-fi drama

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London Film Festival 2023 - monsters, ghosts and diabolical people

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London Film Festival 2023 - provocation, celebration and film-buzzing community

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The Creator review - bold, beautiful, flawed sci-fi epic

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Frank and Percy, The Other Palace review - two-hander fails to escape a very short leash

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anthropology, Hampstead Theatre review - AI thriller runs out of code

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Passages review - amusing, lusty, surprising Parisian love triangle

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Medusa review - stylish, smart, seriously strange Brazilian satire

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Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner

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Mission: Impossible - Dead Reckoning Part One review - buckle up

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Air review - great fun but no slam dunk

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Gogol Bordello, O2 Institute, Birmingham review – an incendi...

Gogol Bordello’s gig in Birmingham this week took place on the evening of Shane MacGowan’s funeral and inevitably turned into something of a...

Album: Kate Rusby - Light Years

The regular appearance of Kate Rusby’s folkie...

theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Chris...

The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next...

Anselm review - post-war German reckonings in 3D

Water glassily reflects in a bridal train, the sun moves between trees, giving way to metal book-leaves, and inside a warehouse so vast he cycles...

Talking About the Fire, Royal Court review – urgent and info...

Let’s start with what we know: the climate emergency is the single most burning question facing the planet. Our life on earth depends on tackling...

I Fagiolini, Hollingworth, St Martin-in-the-Fields review -...

“Nobody likes a Messiah…”, deadpanned Robert Hollingworth, with the timing of a practised stand-up. After a pause, “…more than I do.” At...

Music Reissues Weekly: Chelsea - The Step-Forward Years

On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols...

Please Don't Destroy: Treasure of Foggy Mountain review...

Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch...

Wonka review - a confusingly mixed bag of bonbons

As the 117 minutes of Wonka tick by, the question it poses gains momentum: who is this film actually for? Children of all ages...

Smyrna review - Greece at twilight

The Smyrna Catastrophe of 1922, in which tens of thousands of Greeks and Armenians were slaughtered by Turkish soldiers, is a topical subject...