wed 28/05/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Dear England, National Theatre review - extra time for stirring soccer classic

Read more...

I'm Still Here review - powerful tale of repression and resistance

Read more...

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

Read more...

September 5 review - gripping real-life thriller

Read more...

Small Things Like These review - less is more in stirring Irish drama

Read more...

Oedipus, Wyndham's Theatre review - careful what you wish for

Read more...

The Other Place, National Theatre review - searing family tragedy

Read more...

The Real Thing, Old Vic review - Stoppard classic keeps on giving

Read more...

Sing Sing review - prison movie with an abundance of heart

Read more...

Only the River Flows review - damp noir

Read more...

Mnemonic, Olivier Theatre review - thanks for the memories

Read more...

Kinds of Kindness review - too cruel to be kind

Read more...

Furiosa: A Mad Max Saga review - just as mad without Max

Read more...

People, Places and Things, Trafalgar Theatre review - a scintillating shot in the arm

Read more...

La Chimera review - magical realism with a touch of Fellini

Read more...

Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Flying Dutchman, Opera Holland Park review – into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden productions that...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...

Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...