wed 20/02/2019

Demetrios Matheou

Bio
Demetrios Matheou is the film editor of theartsdesk. He's also the film critic for The Sunday Herald and a London correspondent for Indiewire. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

On the Basis of Sex review – real-life legal drama

Read more...

theartsdesk in Tromsø: the celluloid Cold War

Read more...

Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

Read more...

LFF 2018: Roma review – Alfonso Cuarón’s triumphant return to Mexico

Read more...

LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to kill

Read more...

Agnès Varda: 'You think I'm finished?!' - interview

Read more...

Michel Hazanavicius: 'Losing himself is how he found himself'

Read more...

Juliette Binoche: ‘Repetition feels like near death’

Read more...

theartsdesk at the Viennale: shunning the 'illusion machine'

Read more...

The Killing of a Sacred Deer review - edge-of-seat psycho-thriller

Read more...

LFF 2017: Last Flag Flying review - anti-war film without a bite

Read more...

On the Road review - engrossing music documentary with a sly B-side

Read more...

An Inconvenient Sequel: Truth to Power review - Al Gore's urgent update

Read more...

theartsdesk at Bergman Week - finding the spirit of the great Swedish filmmaker

Read more...

Gifted review - genius in the family genes

Read more...

theartsdesk Q&A: Claude Barras and Céline Sciamma on My Life as a Courgette

Read more...

Pages

latest in today

Only Fools and Horses, Theatre Royal Haymarket review - roll...

It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a string of...

All in a Row, Southwark Playhouse, review - soapy and shrill...

Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row, a...

Director Toby Macdonald: 'Comedy is something people ne...

A British boys boarding school in the 1980s. Not the...

On the Basis of Sex review – real-life legal drama

When the world is as crazy as it is right now, its political life dominated by dolts and villains, it needs a new kind of hero. That’s why...

Cyprus Avenue, Royal Court Theatre review - Stephen Rea is u...

David Ireland is a playwright who likes to jolt his audience and...

Tynan, Appl, Burnside, Wigmore Hall review - the music of do...

The first visual impression of Monday’s Wigmore Hall song recital was of the marked...

Joshua Redman Still Dreaming, Barbican review - world-class...

Joshua Redman's Still Dreaming Quartet is a project surrounded by an abundance of facts, context and backstories....

CD: John Mayall - Nobody Told Me

John Mayall is not just the dean of British blues fans, but he has...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

Gently Down the Stream, Park Theatre review - gay history si...

Ripeness is sometimes all. 80-year-old Martin Sherman's...