tue 08/10/2024

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

The Brink review – behind the scenes with Steve Bannon

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Too Late To Die Young review - an absorbing, Chilean coming-of-age

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Game of Thrones, Sky Atlantic, Series 8 Finale review – who will sit on the Iron Throne?

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Madeline's Madeline review – American indie heralds an astonishing new star

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

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Game of Thrones, Sky Atlantic review - The Battle of Winterfell

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Greta review – Isabelle Huppert goes full psycho in eccentric stalker thriller

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The Sisters Brothers review – wonderfully off-the-wall western

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Interview with director Agnès Varda, who has died at 90

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Everybody Knows review - so-so Spanish kidnap drama

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

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On the Basis of Sex review – real-life legal drama

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theartsdesk in Tromsø: the celluloid Cold War

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Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

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LFF 2018: Roma review – Alfonso Cuarón’s triumphant return to Mexico

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LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to kill

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latest in today

Ludwig, BBC One review - entertaining spin on the brainy det...

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back...

The Hardacres, Channel 5 review - a fishy tale of upward mob...

Set in Yorkshire in the 1890s, and based on the novels...

Juno and the Paycock, Gielgud Theatre review - a shockingly...

"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality...

Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall,...

Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the...

Angry and Young, Almeida Theatre review - vigorous and illum...

Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama –...

Blond Eckbert, English Touring Opera review - dark deeds afo...

Judith Weir’s Blond Eckbert, presented by English Touring Opera...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...

The Marrriage of Figaro, Opera Project, Tobacco Factory, Bri...

The Marriage of Figaro is undoubtedly one of the greatest operas ever written....

Album: Permafrost - The Light Coming Through

While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk...

Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...