thu 10/10/2024

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Powell and Pressburger: Spy masters

Read more...

Lyonesse, Harold Pinter Theatre review - a step backwards for #MeToo

Read more...

Martin Scorsese's 'Mean Streets' - a triumph of personal filmmaking

Read more...

Foe review - unsettling sci-fi drama

Read more...

London Film Festival 2023 - monsters, ghosts and diabolical people

Read more...

London Film Festival 2023 - provocation, celebration and film-buzzing community

Read more...

The Creator review - bold, beautiful, flawed sci-fi epic

Read more...

Frank and Percy, The Other Palace review - two-hander fails to escape a very short leash

Read more...

anthropology, Hampstead Theatre review - AI thriller runs out of code

Read more...

Passages review - amusing, lusty, surprising Parisian love triangle

Read more...

Medusa review - stylish, smart, seriously strange Brazilian satire

Read more...

Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner

Read more...

Mission: Impossible - Dead Reckoning Part One review - buckle up

Read more...

Air review - great fun but no slam dunk

Read more...

God's Creatures review - Irish drama with a touch of Greek tragedy

Read more...

1976 review - dark, chilly Chilean thriller

Read more...

Pages

latest in today

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Rela...

Brazilian artist Lygia Clark is best known for taking her...

Gigi and Dar, Arcola Theatre review - a war-game of two halv...

The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of...

Portraits of Dangerous Women review - quirky indie comedy

“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though...

Album: The Offspring - Supercharged

With Warped Tour anniversary rumours in the air, Green Day and blink-182 touring the world, and 20 huge new tracks from Sum 41, The Offspring’s...

Bellringers, Hampstead Theatre review - mordant comedy about...

As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle...

Mike Kelley: Ghost and Spirit, Tate Modern review - adolesce...

Like an angry teenager rejecting everything his parents stand for,...

French Toast, Riverside Studios review - Racine-inspired sat...

It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but...

Album: Ded Hyatt - Glossy

This record keeps you guessing. It starts off with “Hybrid Romance”, an ambient piece that’s very pretty but has swooping glassy synths that crack...

Ludwig, BBC One review - entertaining spin on the brainy det...

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back...