fri 21/02/2020

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles By Emma Simmonds

Meek's Cutoff

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Little White Lies

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Passenger Side

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DVD: Uncle Boonmee Who Can Recall His Past Lives

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Submarine

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Archipelago

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Confessions

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Biutiful

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127 Hours

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Chatroom

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Enemies of the People

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Pages

latest in today

A Number, Bridge Theatre review - a dream team dazzles anew

There are any number of ways to perform A Number, Caryl Churchill’s bleak and beautiful...

Andsnes, Mahler Chamber Orchestra Soloists, Wigmore Hall rev...

Leif Ove Andsnes’s long-term partnership with the Mahler Chamber Orchestra has already yielded rich fruit, and the...

Little Joe - trouble in the greenhouse

Austrian filmmaker Jessica Hausner’s disquieting fifth feature, and her...

Mahler's 'Resurrection' Symphony, Philharmoni...

So many performances of Mahler's most theatrical symphony every...

The Call of the Wild review - how big-hearted Buck became le...

Jack London’s original novel was a brutal and Darwinian account of a dog's life in the Klondike during the gold rush at the end of the 19th...

Album: Ozzy Osbourne - Ordinary Man

Ozzy Osbourne stands on the front cover of his new album...

Greed review - so-so satire of the über rich

Steve Coogan’s long partnership with director...

Frang, CBSO, Yamada, Symphony Hall Birmingham review - the t...

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just...