mon 20/09/2021

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles By Emma Simmonds

The Selfish Giant

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LFF 2013: Under the Skin

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LFF 2013: The Double

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LFF 2013: Nebraska

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The To Do List

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LFF 2013: Programme Launch

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The Great Beauty

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The Way Way Back

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Listed: Screen Bastards

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We're the Millers

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Bachelorette

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Alan Partridge: Alpha Papa

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The Conjuring

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Only God Forgives

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Frances Ha

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Stories We Tell

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latest in today

LSO, Rattle, Barbican review - a glimpse into Bruckner’s wor...

For most Bruckner fans, the multiple editions and revisions...

Anuvab Pal, Soho Theatre review - Empire and Bollywood colli...

Anuvab Pal may be a new name to some UK audiences (although many will know him from the global...

Sebastian Faulks: Snow Country review - insects under a ston...

Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the...

Leeds International Piano Competition Finals, Leeds Town Hal...

It’s easy to forget that what you see in a competition final isn’t always the full story, the jury members’ votes in this case based on what had...

theartsdesk on Vinyl 66: Etta James, BABii, George Harrison,...

As the summer folds away on itself, theartsdesk on Vinyl returns. Beset by backlogs at pressing plants and delayed by COVID, it's...

Album: Public Service Broadcasting - Bright Magic

Public Service Broadcasting’s latest addition in their on-going string of concept albums could reasonably be described as an impressionistic...

Reissue CDs Weekly: Help Yourself - Passing Through, The Com...

“Reaffirmation” is the sound of a San Francisco ballroom in 1968. The 12-minute long track opens mysteriously with what might be a Mellotron on...

Podium odes to joy: conductors at the 2021 BBC Proms

They must have been especially overjoyed to be back in front of (or with back to the greater part of) a live audience. But inspiring musicians is...

Rose Plays Julie review - a sombre story of rape, adoption a...

Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity –...