Emma Simmonds
Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.
Articles By Emma Simmonds
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...
Hansel and Gretel, Shakespeare's Globe review - too sac...
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet - the first time I properly felt their...
Album: The Unthanks - In Winter
By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...
Grand Theft Hamlet review - intriguing documentary about Sha...
On July 4, 2022, one of the most unusual performances in Hamlet’s lengthy and much travelled CV took place: an in-game stream...
Nightbitch review - Mother's life as a dog
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its...
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We...
Payal Kapadia’s lyrical fiction feature debut...
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall...
A time must come again when British orchestras return to complete Tchaikovsky ballet scores in concert, as in the BBC glory days of the great...
Rumours review - pallid satire on geopolitics
It must have seemed such a delicious premise – a Buñuel-esque comedy about world leaders trapped at a luxury retreat as the apocalypse...