Emma Simmonds
Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.
Articles By Emma Simmonds
latest in today
Lungs, Old Vic review - deluxe casting and slick delivery
Playing our monarch and her husband in The Crown has made actors...
First Person: Hannah Khalil on museum as metaphor in her new...
It all started in 2009 in the National Portrait Gallery. I’d had a meeting nearby so popped in to get a cuppa and stare at the beautiful rooftop...
Translations, National Theatre review - stunning revival of...
At a point in history where – yet again – a few misplaced words from English politicians could wreak havoc with...
DVD/Blu-ray: Legend of the Witches & Secret Rites
The British Film Institute’s excellent Flipside strand...
London Symphony Orchestra and Chorus, Ono, Barbican review -...
We have John Eliot Gardiner to thank for an unconventional diptych of...
Pre-Raphaelite Sisters, National Portrait Gallery review – a...
Focusing on twelve women who played a key role in the lives of Pre-Raphaelite painters like Dante Gabriel Rossetti, John Everett Millais and...
Miklós Perényi, Dénes Várjon, Wigmore Hall review – Beethove...
"Revelatory": it’s one of those words which is now completely devalued through having been carelessly dropped into a thousand press releases...
Cyrano, Bristol Old Vic review – comedy with emotional intel...
Tom Morris’s production of Cyrano starts with a...
‘We must not allow boorish, opportunistic autocrats to hijac...
For as long as I can remember, there has been a continuous loop of original music playing in my mind. My father used to joke about my “tuyuyo...
CD: Neil Young and Crazy Horse - Colorado
Neil Young’s prolific, patchy output rejects the very notion of major releases, though only a major artist would...