sat 24/02/2024

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles By Emma Simmonds

Grabbers

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Pitch Perfect

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12 Films of Christmas: Bad Santa

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12 Films of Christmas: Black Christmas

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The Man with the Iron Fists

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Sightseers

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DVD: Magic Mike

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Amour

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Rust and Bone

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Sister

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Beasts of the Southern Wild

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LFF 2012: The Hunt

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Ginger & Rosa

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LFF 2012: In the House

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LFF 2012: Robot & Frank

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LFF 2012: End of Watch

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latest in today

Sánchez, National Symphony Orchestra, Martín, National Conce...

Ravel’s Boléro, however well you think you know it, usually wows in concert with its disconcerting mix of sensuality, fun and violence....

Sargent and Fashion, Tate Britain review - portraiture as a...

At the turn of the 20th century, London’s smart set queued up to get their...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a ra...

It’s not often one comes out of a concert of mainly new works with a spring in one’s step. A sigh of relief is rather more usual. But this concert...

The Big Life, Stratford East review - big-hearted musical br...

Is there a healthier sound than that of laughter ringing round a theatre? 

There are plenty of opportunities to...

Album: Everything Everything - Mountainhead

There are few bands who can claim to operate in a similar visionary style as Everything Everything. Since their 2010 debut Man Alive, the...

Marx in London, Scottish Opera review - the humour of histor...

An opera about a day in the life of Karl Marx doesn’t exactly...

Hir, Park Theatre review - incendiary production for Taylor...

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in...

Samuel Takes a Break... in Male Dungeon No. 5 after a long b...

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...