fri 13/12/2019

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles By Emma Simmonds

The Homesman

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Fury

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LFF 2014: Listen Up Philip

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LFF 2014: Thou Wast Mild and Lovely

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Life After Beth

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Maps to the Stars

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Ida

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Million Dollar Arm

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Two Days, One Night

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We Gotta Get Out of This Place

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Joe

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Boyhood

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Goltzius and the Pelican Company

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Tammy

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Miss Violence

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Belle

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Pages

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A Kind of People, Royal Court review - multiculturalism fall...

The trouble with prejudice is that you can't control...

The Ocean at the End of the Lane, National Theatre review -...

This scary, electrically beautiful adaptation of Neil...

'In every concert, I want to try to tell a story':...

Omer Meir Wellber may be the first chief conductor of a major orchestra to have begun his tenure with a children...

CD: Josh Rouse - The Holiday Sounds of Josh Rouse

Nebraska-born singer-songwriter Josh Rouse made his name in Nashville and has spent the past 15 years living in...

Mark Lanegan Band, Roundhouse review - rocking reiteration o...

It’s not about spontaneity. Bar switching the order of a couple of songs at the beginning and during the encore, the set was the same as a couple...

The Duchess of Malfi, Almeida Theatre review - a radically o...

This play can be a challenge for modern audiences: a woman...