tue 19/02/2019

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Agnes Colander, Jermyn Street Theatre review - Naomi Frederick shines in 'new' Granville Barker

Read more...

Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court case

Read more...

Robert Hastie: 'a seam of love runs through the play' - interview

Read more...

Don Quixote, Garrick Theatre review - riotous revival of Cervantes' much-loved chivalric tale

Read more...

Macbeth, RSC, Barbican review - Shakespeare's blood-boltered tragedy, tense but flawed

Read more...

Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the master

Read more...

Square Rounds, Finborough Theatre review - the science behind warfare, told in verse

Read more...

The Importance of Being Earnest, Vaudeville Theatre review - Sophie Thompson triumphantly tackles the handbag challenge

Read more...

King Lear, Duke of York's Theatre, review - towering Ian McKellen

Read more...

As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies

Read more...

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best

Read more...

The Country Wife, Southwark Playhouse review – knowing Restoration update

Read more...

Brief Encounter, Empire Cinema review – poignant, hilarious revival

Read more...

Dear Brutus, Southwark Playhouse review - a judicious mix of comedy and sadness

Read more...

Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier

Read more...

Nikki Amuka-Bird interview: 'There’s huge enthusiasm among actors of colour'

Read more...

Pages

latest in today

Gently Down the Stream, Park Theatre review - gay history si...

Ripeness is sometimes all. 80-year-old Martin Sherman's recent play, receiving its UK premiere at canny Park Theatre, says more about gay history...

Trifonov, LSO, Rattle, Barbican review - Russian style with...

The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way....

Come From Away, Phoenix Theatre review - a necessary correct...

Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of Come From Away,...

Sheeps, Soho Theatre review - sketch comedy with a touch of...

Sheeps, the sketch comedy threesome, had never really gone away but when they performed Live and Loud Selfie Sex Harry Potter ...

Lau, Cheese & Grain, Frome review - the dangerous charm...

Back in 2017, The Foo Fighters did a surprise pre-Glastonbury gig at Frome’s Cheese & Grain, a rather soulless shed near the equally soulless...

69th Berlin Film Festival round-up - what a banal Berlinale

As journalists and critics were enjoying the unseasonably balmy weather in...

CD: Susanna & The Brotherhood of Our Lady - Garden of Ea...

Lyrics such as “are we hunting for life among misery, Satan have pity on my long distress” and “we’re on a ship of fools, sails laughing and...

Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towa...

It seems an almost indecent luxury to have heard two top mezzos...