sun 24/06/2018

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best

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The Country Wife, Southwark Playhouse review – knowing Restoration update

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Brief Encounter, Empire Cinema review – poignant, hilarious revival

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Dear Brutus, Southwark Playhouse review - a judicious mix of comedy and sadness

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Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier

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Nikki Amuka-Bird interview: 'There’s huge enthusiasm among actors of colour'

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The Mentor, Vaudeville Theatre review - having fun with artistic integrity

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Life of Galileo, Young Vic review - shared-experience Brecht is powerful, timely

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The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'

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Anna Maxwell Martin: 'I like playing baddies' - interview

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Who's Afraid of Virginia Woolf?, Harold Pinter Theatre

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10 Questions for Director Ellen McDougall

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Peter Pan, National Theatre

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10 Questions for Actor David Troughton

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King Lear, Old Vic

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'I am dismayed by the tone of the debate'

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latest in today

theartsdesk in Paris - following in the footsteps of Gounod

It’s a truism that history is written by the victors, but nowhere in classical music is the argument made more persuasively than in the legacy and...

CD: Let's Eat Grandma - I'm All Ears

Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s...

theartsdesk at Glastonbury Festival 2018

Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!

What? No! There IS no...

The Town Hall Affair, The Wooster Group, Barbican review - e...

Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in...

The Path to Heaven, RNCM, Manchester review - tragedy, truth...

Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval)...

Finishing the Picture, Finborough Theatre review - projectio...

In the early 20th century, Soviet filmmaker Lev Kuleshov spliced together images of people looking at things with a bowl of soup, a woman on a...

DVD/Blu-ray: Let the Sunshine In

Un beau soleil intérieur, the film’s ...

Kiss Me, Kate, Opera North, London Coliseum review - Cole Po...

First palpable hit of the evening: a full orchestra in the pit under hyper-alert...

theartsdesk on Vinyl 40: Talking Heads, Ornette Coleman, Cra...

Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the...