wed 28/05/2025

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

Read more...

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

Read more...

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

Read more...

Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

Read more...

Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

Read more...

Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

Read more...

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

Read more...

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

Read more...

The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

Read more...

The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

Read more...

She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

Read more...

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

Read more...

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

Read more...

As You Like It, @sohoplace review - music-filled, warm-hearted celebration

Read more...

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Read more...

The Father and the Assassin, National Theatre review - Gandhi's killer puts his case in a bold, whirlwind production

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...

Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...

Dara Ó Briain, Soho Theatre Walthamstow review - master stor...

Dara Ó Briain’s  has described his previous show So… Where Were We? – in which he describes his search for his birth...

Album: Anna Lapwood - Firedove

This album Firedove (Sony Classical), surely, has to be seen as part of a bigger story: that of organist, choir director and...