fri 06/06/2025

Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

In Praise of Love, Orange Tree Theatre review - subdued production of Rattigan's study of loving concealment

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The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

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Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

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Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

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Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

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Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

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Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

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Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

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Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

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The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

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The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

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She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

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Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

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The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

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As You Like It, @sohoplace review - music-filled, warm-hearted celebration

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Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Songhoy Blues, Hare & Hounds, Birmingham review – West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...