wed 30/09/2020

Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat

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Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

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The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy

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A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment

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The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscovery

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The Taming of the Shrew, Barbican review - different but still problematic

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Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatre

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Blood Wedding, Young Vic review - inventive, poetic if over-stretched revival of Lorca's rural tragedy

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A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial India

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The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into town

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theartsdesk Q&A: Lia Williams on the challenges of theatre

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Death of a Salesman, Young Vic review - new-minted revival of a masterpiece

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theartsdesk Q&A: playwright William Nicholson

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Mary's Babies, Jermyn Street Theatre review - rollercoaster investigation of early fertility treatment

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Tartuffe, National Theatre review - morality-heavy version of the comedy classic

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Agnes Colander, Jermyn Street Theatre review - Naomi Frederick shines in 'new' Granville Barker

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latest in today

Album: Melanie C - Melanie C

There’s a lot to like about Melanie Chisholm. She was always the Spice Girl who came over as most genuine and down to earth – not to mention the...

Album: Melanie C - Melanie C

There’s a lot to like about Melanie Chisholm. She was always the Spice Girl who came over as most genuine and down to earth – not to mention the...

Bach’s The Art of Fugue, Angela Hewitt, Wigmore Hall – the m...

How do they do it? Bach and Angela Hewitt, I mean, transfixing and...

Bob Woodward: Rage review - terror and tyranny in the White...

“Build the wall!” exhorted Trump, at rally after rally back in the days when we’d all acknowledged his moral repugnancy but still believed he...

Blu-ray: Beau Travail

This fifth feature from...

Ottessa Moshfegh: Death in Her Hands review - a case of murd...

Death in Her Hands was a forgotten manuscript, the product of a...

Sudhir Hazareesingh: Black Spartacus review – the life, and...

The former slave, and coachman on a sugar plantation, began one of his early public proclamations in a typically defiant vein: “I am Toussaint...

Ian Williams: Reproduction review - a dazzling kaleidoscope...

Ian Williams’s writing is always in motion. For his 2012 poetry...

Academy of St Martin in the Fields review - from solo medita...

Clearly it takes peculiar circumstances for some of us to hear the Academy of St Martin in the Fields within its eponymous church – that’s a first...

Emma Cline: Daddy review - scintillating short stories by th...

The Girls, Emma Cline’s acclaimed debut novel of 2016, was billed as a story based on the Manson murders. But in fact, like some of the...