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Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Square Rounds, Finborough Theatre review - the science behind warfare, told in verse

Saturday, 08 September 2018 Read more...

The Importance of Being Earnest, Vaudeville Theatre review - Sophie Thompson triumphantly tackles the handbag challenge

Friday, 03 August 2018 Read more...

King Lear, Duke of York's Theatre, review - towering Ian McKellen

Friday, 27 July 2018 Read more...

As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies

Friday, 13 July 2018 Read more...

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best

Saturday, 26 May 2018 Read more...

The Country Wife, Southwark Playhouse review – knowing Restoration update

Thursday, 05 April 2018 Read more...

Brief Encounter, Empire Cinema review – poignant, hilarious revival

Monday, 12 March 2018 Read more...

Dear Brutus, Southwark Playhouse review - a judicious mix of comedy and sadness

Tuesday, 05 December 2017 Read more...

Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier

Thursday, 12 October 2017 Read more...

Nikki Amuka-Bird interview: 'There’s huge enthusiasm among actors of colour'

Tuesday, 10 October 2017 Read more...

The Mentor, Vaudeville Theatre review - having fun with artistic integrity

Wednesday, 05 July 2017 Read more...

Life of Galileo, Young Vic review - shared-experience Brecht is powerful, timely

Wednesday, 17 May 2017 Read more...

The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'

Thursday, 06 April 2017 Read more...

Anna Maxwell Martin: 'I like playing baddies' - interview

Tuesday, 28 March 2017 Read more...

Who's Afraid of Virginia Woolf?, Harold Pinter Theatre

Friday, 10 March 2017 Read more...

10 Questions for Director Ellen McDougall

Thursday, 02 March 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...

theartsdesk Q&A: director Stefano Sollima on the relevan...

In his celebrated TV-series Gomorrah (based on the bestseller of the same name by author Roberto Saviano) Italian director...

Blu-ray: Wendy and Lucy

Wendy and Lucy is a road movie with a...

The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...