tue 03/12/2024

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

theartsdesk Q&A: Lia Williams on the challenges of theatre

Read more...

Death of a Salesman, Young Vic review - new-minted revival of a masterpiece

Read more...

theartsdesk Q&A: playwright William Nicholson

Read more...

Mary's Babies, Jermyn Street Theatre review - rollercoaster investigation of early fertility treatment

Read more...

Tartuffe, National Theatre review - morality-heavy version of the comedy classic

Read more...

Agnes Colander, Jermyn Street Theatre review - Naomi Frederick shines in 'new' Granville Barker

Read more...

Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court case

Read more...

Robert Hastie: 'a seam of love runs through the play' - interview

Read more...

Don Quixote, Garrick Theatre review - riotous revival of Cervantes' much-loved chivalric tale

Read more...

Macbeth, RSC, Barbican review - Shakespeare's blood-boltered tragedy, tense but flawed

Read more...

Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the master

Read more...

Square Rounds, Finborough Theatre review - the science behind warfare, told in verse

Read more...

The Importance of Being Earnest, Vaudeville Theatre review - Sophie Thompson triumphantly tackles the handbag challenge

Read more...

King Lear, Duke of York's Theatre, review - towering Ian McKellen

Read more...

As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies

Read more...

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...

theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Son...

VINYL OF THE MONTH

Blood Incantation Absolute Elsewhere (Century Media)

...

Blu-ray: Juggernaut

That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...

Electric Dreams: Art and Technology Before the Internet, Ta...

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...

Album: Panelia - Nothing and All At Once

Nothing and All at Once is the debut album from New Delhi...

Music Reissues Weekly: John Cale - The Academy in Peril, Par...

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...

Blu-ray: Black Tuesday

The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...

The Importance of Being Earnest, National Theatre review - n...

If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...