tue 08/10/2024

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

The Dumb Waiter, Old Vic: In Camera review - more in sorrow than in anger

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Romeo and Juliet, Creation Theatre online review - game version falls between stools

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Romeo and Juliet, National Theatre online review - a triumphant hybrid

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Romeo and Juliet, Palace Theatre, Manchester online review - futuristic and timely

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Love in a Wood, Jermyn Street Theatre review - stars gather remotely for a lively online presentation

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A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat

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Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

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The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy

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A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment

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The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscovery

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The Taming of the Shrew, Barbican review - different but still problematic

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Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatre

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Blood Wedding, Young Vic review - inventive, poetic if over-stretched revival of Lorca's rural tragedy

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A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial India

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The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into town

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theartsdesk Q&A: Lia Williams on the challenges of theatre

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latest in today

Ludwig, BBC One review - entertaining spin on the brainy det...

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back...

The Hardacres, Channel 5 review - a fishy tale of upward mob...

Set in Yorkshire in the 1890s, and based on the novels...

Juno and the Paycock, Gielgud Theatre review - a shockingly...

"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality...

Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall,...

Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the...

Angry and Young, Almeida Theatre review - vigorous and illum...

Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama –...

Blond Eckbert, English Touring Opera review - dark deeds afo...

Judith Weir’s Blond Eckbert, presented by English Touring Opera...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...

The Marrriage of Figaro, Opera Project, Tobacco Factory, Bri...

The Marriage of Figaro is undoubtedly one of the greatest operas ever written....

Album: Permafrost - The Light Coming Through

While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk...

Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...