mon 03/11/2025

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

Read more...

As You Like It, @sohoplace review - music-filled, warm-hearted celebration

Read more...

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Read more...

The Father and the Assassin, National Theatre review - Gandhi's killer puts his case in a bold, whirlwind production

Read more...

Hamlet, Young Vic review - Cush Jumbo flares in a low-key production

Read more...

Witness for the Prosecution, London County Hall review - return of Agatha Christie's gripping courtroom drama

Read more...

The Dumb Waiter, Old Vic: In Camera review - more in sorrow than in anger

Read more...

Romeo and Juliet, Creation Theatre online review - game version falls between stools

Read more...

Romeo and Juliet, National Theatre online review - a triumphant hybrid

Read more...

Romeo and Juliet, Palace Theatre, Manchester online review - futuristic and timely

Read more...

Love in a Wood, Jermyn Street Theatre review - stars gather remotely for a lively online presentation

Read more...

A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat

Read more...

Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

Read more...

The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy

Read more...

A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment

Read more...

The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscovery

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

theartsdesk at Wexford Festival Opera 2025 - two strong prod...

A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences...

'Vicious Delicious' is a tasty, burlesque-rockin...

Three of last year’s finest singles were by Luvcat, a classy-but-naughty Eartha Kitt-style bad girl steeped in burlesque-rock’n’roll spirit. In...

Bach's B minor Mass, Irish Baroque Orchestra, Whelan, C...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...

Kaploukhii, Greenwich Chamber Orchestra, Cutts, St James...

To St James’s Piccadilly to hear the young pianist Misha Kaploukhii give an impressive performance of Beethoven’s Fourth Piano Concerto,...

Music Reissues Weekly: Hawkwind - Hall of the Mountain Grill

Issued in September 1974, Hall of the Mountain Grill was Hawkwind’s fifth LP. The follow-up to 1973’s live double album...

The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...