thu 07/08/2025

Helen Hawkins

Articles By Helen Hawkins

The Beanie Bubble review - an under-stuffed, misshapen product saga

Read more...

Carlos at 50, Royal Opera House review - lovingly designed gala from a still impressive star

Read more...

Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effect

Read more...

Barbie review - uneasy blend of farce and feminism

Read more...

A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

Read more...

Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief

Read more...

A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead

Read more...

La Syndicaliste review - a star outshines her conspiracy thriller script

Read more...

The Super 8 Years review - Nobel laureate’s meditative self-portrait from home movies

Read more...

Mrs Doubtfire, Shaftesbury Theatre review - bold musical makeover of the hit comic film

Read more...

The Change, Channel 4 review - beguiling feminist comedy with a stellar cast

Read more...

School Girls, Lyric Hammersmith review - an African Mean Girls with added bite

Read more...

Idiots Assemble: Spitting Image The Musical, Phoenix Theatre review - more crude than cruel

Read more...

The Curious Case of Benjamin Button, Southwark Playhouse Elephant review - superbly performed folksy musical

Read more...

Groundhog Day, Old Vic review - Tim Minchin’s musical returns in full-on style

Read more...

Yours Unfaithfully, Jermyn Street Theatre review - resonant debate about open marriage from 1933

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton Assembly Roxy ...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...