sun 03/12/2023

james woodall

james.woodall's picture
Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

Read more...

The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

Read more...

theartsdesk Q&A: Theatre Producer Elyse Dodgson

Read more...

Titus Andronicus, RSC, Barbican review - blood will out

Read more...

Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

Read more...

The Tempest, Barbican Theatre review - sound and fury at the expense of sense

Read more...

It Was Fifty Years Ago Today! review - without a little help from their friends

Read more...

Shakespeare Trilogy, Donmar at King's Cross

Read more...

10 Questions for Director Lucy Bailey

Read more...

The Beatles: Eight Days a Week - The Touring Years

Read more...

The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

Read more...

theartsdesk at the Holland Festival

Read more...

George Martin (1926-2016), record producer and 'fifth Beatle'

Read more...

Rio+Film, Barbican

Read more...

Hot August Night: The Beatles at Shea Stadium

Read more...

The Story of The Beatles' Last Song

Read more...

Pages

latest in today

Music Reissues Weekly: Myriam Gendron - Not So Deep As A Wel...

Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by...

Powell and Pressburger: In Prospero’s Room

There’s a thread of bright magic running through British...

Eileen review - a dank fairytale film noir

As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a...

A Sherlock Carol, Marylebone Theatre review - merry, but mir...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Fallen Leaves review - deliciously dry Finnish romcom

Fallen Leaves is Aki Kaurismäki’s 20th film, the one the...

Album: Shirley Hurt - Shirley Hurt

The realisation that Shirley Hurt is the name assumed by Canada’...

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...