thu 30/06/2022

Katie Colombus

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Articles By Katie Colombus

Muse, 02 review - bombastic Brit-rock with a sci-fi theme

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Wilderness Festival 2019 review - marvellous misbehaviour

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Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves

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Florence + the Machine, BST Hyde Park review - mastering the matriarchy

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Janelle Monae, SSE Wembley Arena review - strong in both sound and sentiment

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Charlie Cunningham, Queen Elizabeth Hall review - Spanish guitar and strong songs

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Tribe//Still I Rise, Brighton Festival 2019 review - an evening of poetic movement

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Ruby Wax, Brighton Festival 2019 review - how to be human

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Chilly Gonzales, Brighton Festival 2019 review - an intimate and exhilarating evening

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Ben Okri, Brighton Festival 2019 review - adventures in writing

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CD: Avril Lavigne - Head Above Water

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CD: James Blake - Assume Form

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Albums of the Year 2018: Erland Cooper - Solan Goose

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CD: Ed Harcourt - Beyond the End

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CD: Jess Glynne - Always In Between

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CD: Christine and the Queens - Chris

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latest in today

Glastonbury Festival 2022: an unexpurgated odyssey around th...

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Così fan tutte, Royal Opera review - vibrant youth and vocal...

Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...