thu 30/06/2022

Katie Colombus

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Articles By Katie Colombus

theartsdesk at bOing! International Family Festival - the best of European children's theatre

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theartsdesk at Cornbury: Pixie Lott, Amy MacDonald and Alanis Morissette

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Paloma Faith, Bedgebury Pinetum review - positive pop in a woodland setting

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CD: Christina Aguilera - Liberation

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The World Of Moominvalley, Brighton Festival review - a fascinating insight into the world of Tove Jansson

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Lemn Sissay, Brighton Festival review - a mesmerising sermon of performance poetry

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The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse

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Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreography

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The Boy, The Piano and The Beach, Brighton Festival review - dubious dancing but perfect puppetry

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CD: Alexandra Burke - The Truth Is

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CD: Belle & Sebastian - How To Solve Our Human Problems, Parts 1, 2 and 3

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CD: First Aid Kit - Ruins

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Cirque du Soleil - OVO, Royal Albert Hall review - fantastical creatures, heart-in-mouth thrills

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Albums of the Year 2017: Rising Appalachia - Alive

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CD: Björk - Utopia

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The Lorax, Old Vic Theatre review - a sage tale for young theatre goers

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Glastonbury Festival 2022: an unexpurgated odyssey around th...

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Così fan tutte, Royal Opera review - vibrant youth and vocal...

Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...