sun 15/06/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Lucinda Williams - Stories from a Rock ‘n’ Roll Heart

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Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back

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Album: Rufus Wainwright - Folkocracy

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Gretchen Peters, Cadogan Hall review - writer and performer of exquisite gems

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Album: The Milk Carton Kids - I Only See the Moon

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Album: Rodrigo y Gabriela - In Between Thoughts… A New World

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Album: Reg Meuross - Stolen from God

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Suzanne Vega, Royal Festival Hall review - the years melt away

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Album: Willie Nelson - I Don't Know a Thing About Love: The Songs of Harlan Howard

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Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

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Album: Shania Twain - Queen of Me

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Albums of the Year 2022: Janis Ian - The Light at the End of the Line

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Album: Neil Diamond - A Neil Diamond Christmas

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Mary Gauthier, Union Chapel review - a living room concert in all but name

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The Manhattan Transfer, Queen Elizabeth Hall review - a class act

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Barbara Dickson, Cecil Sharp House review - intimate and beautifully paced

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'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...