fri 20/09/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bang

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The Story of Ready Steady Go!, BBC Four review - when life was fab

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The Indigo Girls, Facebook Live review - lightening the blues

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Reg Meuross and David Massengill, Green Note, Camden review - master craftsmen at work

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Elvis Costello and the Imposters, Eventim Apollo review - and the band played on

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CD: James Taylor, American Standard - a trip down memory lane

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Album: Sam Lee, Old Wow - a hymn to Mother Nature

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Gerde's Folk City at 60, The Iridium, New York City - a celebration of the legendary folk club

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Album: Bombay Bicycle Club - Everything Else Has Gone Wrong

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Judy Collins, Grand Central Hall, Liverpool review - how sweet the sound, even at 80

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Albums of the Year 2019: Leonard Cohen - Thanks for the Dance

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Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the Night

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Rufus and Martha Wainwright, A Not So Silent Night, RFH review - Christmas, family-style

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Billy Bragg, Islington Assembly Hall review - a pep talk from the progressive patriot

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Rhiannon Giddens with Francesco Turrisi review, Royal Festival Hall - musical togetherness

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Darlingside, Cecil Sharp House review - finger-picking good

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The Truth About Harry Beck, London Transport Museum Cubic Th...

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theartsdesk Q&A: young pianist Ignas Macknickas on appea...

The high level of entries for this year’s Leeds Piano Competition – 366, almost twice the...

Album: Miranda Lambert - Postcards From Texas

Miranda Lambert is one of those country stars who’s...

The law's sick voyeurism - director Cédric Kahn on...

The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...

Zoë Coombs Marr, Soho Theatre review - stock checks and spre...

You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoe Coombs Marr, which she...

The Lightest Element, Hampstead Theatre review - engrossing,...

British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s ...

Resurgence, London City Ballet, Sadler’s Wells review - the...

You need to be fairly long in the tooth to feel nostalgia for the heyday of London City Ballet. The group was set up in 1978 by the late Harold...

Album: Jamie xx - In Waves

There’s been a lot of early 90s rave aesthetics in popular culture lately, but an awful lot of it has been at the level of signifiers. Fila,...

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Album: The Waeve - City Lights

Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...