sat 20/04/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Jill Abramson: Merchants of Truth review - news in the age of digital disruption

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CD: Morrissey and Marshall - And So It Began Again... Acoustically

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CD: Katie Doherty & The Navigators - And Then

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Albums of the Year 2018: Joan Baez - Whistle Down the Wind

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Katie Melua and Gori Women's Choir, Central Hall Westminster, London, review - Georgia on her mind

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CD: The Albion Christmas Band - Under the Christmas Tree

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Jools Holland and his Rhythm & Blues Orchestra, Royal Albert Hall review - all stand for the piano man

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CD: Cliff Richard - Rise Up

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The Ballads of Child Migration, St James's Church, Clerkenwell review - into the heart of darkness

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CD: Mumford & Sons - Delta

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The Simon & Garfunkel Story, Vaudeville Theatre review - more tribute act than theatre piece

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Album: Jeff Goldblum & The Mildred Snitzer Orchestra - The Capitol Studios Sessions

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CD: Rosanne Cash - She Remembers Everything

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CD: David Crosby - Here If You Listen

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Duane Eddy, London Palladium - the twang's the thang

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CD: Jackie Oates - The Joy of Living

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbica...

Anyone who’d booked to hear soprano Sally Matthews or to witness the rapid progress of conductor Daniele Rustioni – the initial draw for me –...

The Songs of Joni Mitchell, Roundhouse review - fans (old an...

For most people’s 40th birthday celebrations, they might get a few...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Album: Taylor Swift - The Tortured Poets Department: The Ant...

Taylor Swift’s unfathomable ability to articulate human emotion shines as brightly as ever in her latest double album The Tortured Poets...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...