fri 17/01/2025

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Adam Macqueen: The Lies of the Land review - light, but enlightening

Read more...

CD: Tom Russell - Folk Hotel

Read more...

CD: Kev Minney - Stories of the Sky

Read more...

CD: Joan Osborne - Songs of Bob Dylan

Read more...

Jason Webster: Fatal Sunset review - more flavoursome crime in Valencia

Read more...

CD: Songdog - Joy Street

Read more...

Indigo Girls, Islington Assembly Hall review - exhilarating and generous

Read more...

Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmonies

Read more...

h.Club 100 Awards: Publishing and Writing - it's not all about the mainstream

Read more...

CD: Emma Stevens - To My Roots

Read more...

Danny Goldberg: In Search of the Lost Chord review - 1967 well remembered

Read more...

Chris Patten: First Confession - A Sort of Memoir review - remembrances of government and power

Read more...

CD: Steve Earle & The Dukes - So You Wanna Be An Outlaw

Read more...

CD: Steve Earle & The Dukes - So You Wanna Be An Outlaw

Read more...

Billy Bragg: Roots, Radicals and Rockers review - riffing on skiffle, and more besides

Read more...

Bella Bathurst: Sound, review - an illuminating book on deafness

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Complete Unknown review - how does it feel?

Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played...

Vermiglio review - a simple tale, simply but beautifully tol...

Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a...

Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...

Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...

Jenůfa, Royal Opera review - electrifying details undermined...

This was always going to be Jakub Hrůša’s night, his first at the...

German National Orchestra, Marshall, Cadogan Hall review - s...

This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...

Chris McCausland, Winchester Theatre Royal review - Strictly...

By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...

Album: The Weather Station - Humanhood

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...

Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...

What's the Matter with Tony Slattery?, BBC Two review -...

In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...