thu 12/12/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Adam Macqueen: The Lies of the Land review - light, but enlightening

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CD: Tom Russell - Folk Hotel

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CD: Kev Minney - Stories of the Sky

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CD: Joan Osborne - Songs of Bob Dylan

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Jason Webster: Fatal Sunset review - more flavoursome crime in Valencia

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CD: Songdog - Joy Street

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Indigo Girls, Islington Assembly Hall review - exhilarating and generous

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Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmonies

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h.Club 100 Awards: Publishing and Writing - it's not all about the mainstream

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CD: Emma Stevens - To My Roots

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Danny Goldberg: In Search of the Lost Chord review - 1967 well remembered

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Chris Patten: First Confession - A Sort of Memoir review - remembrances of government and power

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CD: Steve Earle & The Dukes - So You Wanna Be An Outlaw

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CD: Steve Earle & The Dukes - So You Wanna Be An Outlaw

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Billy Bragg: Roots, Radicals and Rockers review - riffing on skiffle, and more besides

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Bella Bathurst: Sound, review - an illuminating book on deafness

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...

Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...