sun 26/01/2025

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

I'm With Her, Bush Hall review - folk supergroup debut album to treasure

Read more...

Nick Coleman: Voices - How a Great Singer Can Change Your Life, review - earworms explored

Read more...

Albums of the Year 2017: Tom Russell - Folk Hotel

Read more...

CD: Christmas with Elvis and the Royal Philharmonic Orchestra

Read more...

Tom Russell, 100 Club review - tales from a time-honoured troubadour

Read more...

CD: Neil Young + Promise of the Real - The Visitor

Read more...

CD: Neil Young + Promise of the Real

Read more...

CD: Mavis Staples - If All I Was Was Black

Read more...

Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition alive

Read more...

Richard F Thomas: Why Dylan Matters review - tangled up in clues

Read more...

CD: The Corrs - Jupiter Calling

Read more...

Peggy Seeger: First Time Ever - A Memoir, review - a remarkable life

Read more...

Woody Guthrie: 'The true voice of the American spirit'

Read more...

Sparks, O2 Shepherd’s Bush Empire review - age does not wither them

Read more...

CD: Jon Boden - Afterglow

Read more...

Neil Sedaka, Royal Albert Hall review - sparkly veteran defies the decades

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: New York Dolls - Showdown At The Merc...

“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they...

Presence review – Soderbergh’s haunted camera

The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, ...

Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

An Interrogation, Hampstead Theatre review - police procedur...

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...

Album: ALT BLK ERA - Rave Immortal

The utopian messiness of 1990s dance music culture is now so far...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...

Album: Ludovico Einaudi - The Summer Portraits

Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...