wed 04/06/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Diana Jones, The Lexington review - at the crossroads of folk and country

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CD: Stephen Stills and Judy Collins - Everybody Knows

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CD: Joan Baez - Whistle Down the Wind

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John Tusa: 'the arts must make a noise' - interview

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CD: Beth Nielsen Chapman - Hearts of Glass

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I'm With Her, Bush Hall review - folk supergroup debut album to treasure

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Nick Coleman: Voices - How a Great Singer Can Change Your Life, review - earworms explored

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Albums of the Year 2017: Tom Russell - Folk Hotel

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CD: Christmas with Elvis and the Royal Philharmonic Orchestra

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Tom Russell, 100 Club review - tales from a time-honoured troubadour

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CD: Neil Young + Promise of the Real - The Visitor

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CD: Neil Young + Promise of the Real

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CD: Mavis Staples - If All I Was Was Black

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Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition alive

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Richard F Thomas: Why Dylan Matters review - tangled up in clues

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CD: The Corrs - Jupiter Calling

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...