fri 07/02/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Albums of the Year 2019: Leonard Cohen - Thanks for the Dance

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Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the Night

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Rufus and Martha Wainwright, A Not So Silent Night, RFH review - Christmas, family-style

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Billy Bragg, Islington Assembly Hall review - a pep talk from the progressive patriot

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Rhiannon Giddens with Francesco Turrisi review, Royal Festival Hall - musical togetherness

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Darlingside, Cecil Sharp House review - finger-picking good

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Lisa Stansfield, Royal Albert Hall - mutual Affection, 30 years on

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CD: Jeff Goldblum and The Mildred Snitzer Orchestra

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Thomas J Campanella: Brooklyn - The Once and Future City review - out of Manhattan's shadow

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Martha Reeves and The Vandellas, Dingwalls review - What's going on? Good question

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The Day Mountbatten Died, BBC Two review - the IRA's audacious strike at the heart of the British Establishment

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Graham Nash, Alexandra Palace review - from Salford to Woodstock and back

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CD: Morganway - Morganway

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Ludovico Einaudi, Barbican review - a long road to nowhere

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Burt Bacharach Together with Joss Stone, Eventim Apollo review - an evening of timeless classics

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Stevie Wonder, BST Hyde Park review - the Master Blaster steps out

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Elektra, Duke of York's Theatre review - Brie Larson...

We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the...

Widmann, LSO, Pappano, Barbican review - razor-sharp attack...

Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly...

Bring Them Down review - ramming it home in the west of Irel...

“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...

Album: Rats on Rafts - Deep Below

Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....

First Person: writer Lauren Mooney on bringing bodies togeth...

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.

It was the...

The Marriage of Figaro, English National Opera review - long...

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...

September 5 review - gripping real-life thriller

There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...

Oedipus, Old Vic review - disappointing leads in a productio...

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It...

Album: Hifi Sean & David McAlmont - Twilight

It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was...