mon 02/12/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...

Electric Dreams: Art and Technology Before the Internet, Ta...

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...

Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...

Album: Panelia - Nothing and All At Once

Nothing and All at Once is the debut album from New Delhi...

Music Reissues Weekly: John Cale - The Academy in Peril, Par...

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...

Blu-ray: Black Tuesday

The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...

The Importance of Being Earnest, National Theatre review - n...

If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...

Conclave review - secrets and lies in the Vatican's inn...

“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t...

Twelfth Night, Orange Tree Theatre review - perfectly pitche...

It's all too easy to underplay the melancholy of ...