mon 14/04/2025

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

Read more...

Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

Read more...

Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Read more...

Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

Read more...

Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

Read more...

Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

Read more...

Hamilton, Disney+ review - puts us all in the room where it happened

Read more...

The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

Read more...

Cats, The Shows Must Go On review - a purr-fectly theatrical experience

Read more...

The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

Read more...

Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Read more...

Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

Read more...

Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

Read more...

Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

Read more...

I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

Read more...

Sondheim at 90 Songs: 1 - 'I'm Still Here'

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Your Friends & Neighbors, Apple TV+ review - in every dr...

It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered exclusively as Mad Men...

Album: What Did the Blackbird Say to the Crow - Rhiannon Gid...

At a time when the powers that sadly be in America are trying their damnedest to erase and rewrite history, the latest release from Rhiannon...

Manhunt, Royal Court review – terrifyingly toxic masculinity...

Are we really in “a new era of male anger, societal discontent and rage”? This is what...

St Matthew Passion, Dunedin Consort, Butt, Queen’s Hall, Edi...

I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to...

Midnight Cowboy, Southwark Playhouse - new musical cannot es...

It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at this,...

Music Reissues Weekly: Motor City Is Burning - A Michigan An...

In October 1967, John Lee Hooker released a single titled “The Motor City is Burning.” The song commented on the civil unrest which had taken...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patr...

When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because...

Thanks for Having Me, Riverside Studios review - snappily pe...

Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch...

Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - sto...

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and...