fri 21/02/2025

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

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Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

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Hamilton, Disney+ review - puts us all in the room where it happened

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

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Cats, The Shows Must Go On review - a purr-fectly theatrical experience

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The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

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I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

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Sondheim at 90 Songs: 1 - 'I'm Still Here'

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I'm Still Here review - powerful tale of repression and...

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Album: Panda Bear - Sinister Grift

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Zero Day, Netflix review - can ex-President Robert De Niro s...

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Much Ado About Nothing, Theatre Royal Drury Lane review - th...

Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes. So there was a certain degree of...

Noah Davis, Barbican review - the ordinary made strangely co...

In 2013 the American artist, Noah Davis used a legacy left him by his father to create a museum of contemporary art in Arlington Heights, an area...

Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as...

The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought...

Album: Sam Fender - People Watching

While discourse on many topics grows toxic and polarised, it’s the voices who speak plainly about the reality of everyday lives that provide some...

East Is South, Hampstead Theatre review - bewildering and un...

Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to...