sat 03/12/2022

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

Read more...

Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

Read more...

Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Read more...

Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

Read more...

Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

Read more...

Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

Read more...

Hamilton, Disney+ review - puts us all in the room where it happened

Read more...

The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

Read more...

Cats, The Shows Must Go On review - a purr-fectly theatrical experience

Read more...

The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

Read more...

Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Read more...

Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

Read more...

Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

Read more...

Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

Read more...

I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

Read more...

Sondheim at 90 Songs: 1 - 'I'm Still Here'

Read more...

Pages

latest in today

Manchester Collective String Orchestra, RNCM, Manchester rev...

Manchester Collective’s string orchestra programme, opening last night at the Royal Northern College of Music and touring to the South Bank, Leeds...

Best of Enemies, Noel Coward Theatre review - opposites attr...

Opposition (and history) are the apparent mainstays of the ceaselessly busy...

Tori and Lokita review - a masterpiece of humanist cinema

Jean-Pierre and Luc Dardennes are Belgium’s national conscience. The brothers, who have been sharing the roles of writer-director-producer since...

The Kola Nut Does Not Speak English, Bush Studio review - an...

The Bush studio space is proving a fruitful launch pad, not just for...

Album: Olly Murs - Marry Me

Oh dear. 10 songs of very little consequence. And one which has sparked “controversy”. "I Hate You When You're...

Tokyo Vice, BBC One review - murder, extortion and corruptio...

There was originally a plan to make Tokyo Vice a movie starring Daniel Radcliffe, but it has ended up as a TV series starring Ansel...

Album: White Lung - Premonition

In 2016’s abrasive album opener, "Dead Weight", frontwoman Mish Barber-Way laments over multiple miscarriages as her biological clock ticks away...

Christian Gerhaher, Gerold Huber, Wigmore Hall review - mute...

There is no mistaking Christian Gerhaher. His voice is a light, agile baritone, and it is utterly distinctive. He is a very verbal singer, and is...

Neil Young: Harvest Time review - a thrillingly intimate fly...

“You’re filmin’ a movie or something – can you explain this?” the radio DJ turns to Neil Young, a laugh underpinning his question and setting the...