fri 29/08/2025

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

Read more...

Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

Read more...

Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Read more...

Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

Read more...

Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

Read more...

Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

Read more...

Hamilton, Disney+ review - puts us all in the room where it happened

Read more...

The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

Read more...

Cats, The Shows Must Go On review - a purr-fectly theatrical experience

Read more...

The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

Read more...

Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Read more...

Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

Read more...

Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

Read more...

Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

Read more...

I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

Read more...

Sondheim at 90 Songs: 1 - 'I'm Still Here'

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk Q&A: Suranne Jones on 'Hostage', p...

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival rev...

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to...

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but n...

$8.2B. That’s what can happen when you re-imagine ...

King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...