sat 29/03/2025

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classic

Read more...

The Prince of Egypt, Dominion Theatre review - Moses musical goes big and broad

Read more...

The Haystack, Hampstead Theatre review - a chilling surveillance state thriller

Read more...

Endgame/Rough for Theatre II, Old Vic review - Beckett played for laughs

Read more...

Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled results

Read more...

Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant tale

Read more...

Ravens: Spassky vs. Fischer, Hampstead Theatre review - it's game over for this chess play

Read more...

Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heart

Read more...

Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

Read more...

Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyond

Read more...

The Man in the White Suit, Wyndham's Theatre review - sparks but no combustion in this chemistry farce

Read more...

Noises Off, Garrick Theatre review - sublime chaos in Michael Frayn's meta-farce

Read more...

What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre

Read more...

Preludes, Southwark Playhouse review - journeying into the mind of Rachmaninoff

Read more...

Falsettos, The Other Palace review - affecting search for the new normal

Read more...

Once on This Island, Southwark Playhouse review - folkloric Caribbean musical charms

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...

Playhouse Creatures, Orange Tree Theatre review - jokes, shi...

Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...

Album: Perfume Genius - Glory

I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...

La finta giardiniera, The Mozartists, Cadogan Hall review -...

Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...

La Cocina review - New York restaurant drama lingers too lon...

La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...

Album: Alison Krauss & Union Station - Arcadia

It’s been 14 years since Alison Krauss and Union Station released an album – 2011’s Paper Aeroplane. The world’s shed a few skins since...

Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester revie...

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of...