wed 24/04/2024

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classic

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The Prince of Egypt, Dominion Theatre review - Moses musical goes big and broad

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The Haystack, Hampstead Theatre review - a chilling surveillance state thriller

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Endgame/Rough for Theatre II, Old Vic review - Beckett played for laughs

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Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled results

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Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant tale

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Ravens: Spassky vs. Fischer, Hampstead Theatre review - it's game over for this chess play

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Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heart

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Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

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Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyond

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The Man in the White Suit, Wyndham's Theatre review - sparks but no combustion in this chemistry farce

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Noises Off, Garrick Theatre review - sublime chaos in Michael Frayn's meta-farce

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What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre

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Preludes, Southwark Playhouse review - journeying into the mind of Rachmaninoff

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Falsettos, The Other Palace review - affecting search for the new normal

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Once on This Island, Southwark Playhouse review - folkloric Caribbean musical charms

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Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...