Marianka Swain
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain
Articles By Marianka Swain
latest in today
Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...
As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...
Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...
Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...
Things Will Be Different review - lost in the past
Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.
There’s...
Joan, ITV1 review - the roller-coaster career of a 1980s jew...
If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....
National Ballet of Canada, Sadler's Wells review - see...
What to expect of the National Ballet of Canada since its last...
Lear, Barbican Theatre review - a very stormy saga, Korean-s...
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...
Album: Goat - Goat
With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...
Monet and London, Courtauld Gallery review - utterly sublime...
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...
Joker: Folie à Deux review - supervillainy laid low
“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...
A Tupperware of Ashes, National Theatre review - family and...
Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...