sun 10/11/2024

Matilda Battersby

Bio
Matilda has worked at The Independent online since 2009 and is also a regular contributor to Viewpoint magazine. She writes about art, theatre and new music.

Articles By Matilda Battersby

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s...

It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring...

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand rev...

Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came...

Le Vent du Nord, Cecil Sharp House review - five extraordina...

Among the many things that make the folk community such a warm and welcoming “family” is that you know which side you’re all on, to paraphrase the...

The Tales of Hoffmann, Royal Opera review - three-headed mon...

Having all but sunk one seemingly unassailable opéra comique, Bizet’s Carmen, director Damiano Michieletto...

The Day of the Jackal, Sky Atlantic review - Frederick Forsy...

Fred Zinnemann’s 1973 film The Day of the Jackal was successful thanks to its lean, almost documentary-like treatment of its story of a...

Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review...

Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping...

L’Addition, BAC review - top billing for physical comedy duo

Can experimental theatre survive the decades? This year marks the 40th anniversary of the Forced Entertainment theatre company, whose mission is...

The Problem With People review - local zero

A quarter of an hour into The Problem With People, there’s a 15-second clip of Bill Forsyth’s Local Hero – and it’s the best...