fri 01/08/2025

Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Così fan tutte, Garsington Opera review - gambling with the highest stakes

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Siegfried, RINGafa, St Mary’s Putney review - heroes everywhere

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Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

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Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

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Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

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King Lear, The Grange Festival review - friendship in adversity

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Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrow

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Siegfried, Göteborg Opera online review - a hero for our times

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Myaskovsky Dialogues, Yekaterinburg online review - revival and revelation

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Pavel Kolesnikov, Wigmore Hall online review - the joyful wisdom of the Goldbergs

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Paul Lewis, Wigmore Hall review – Classical consolations

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BSO, Karabits, The Lighthouse, Poole online review – stealing fire from the gods

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Istanbul International Music Festival online review – East-West flair and finesse

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Bernard Haitink: The Enigmatic Maestro, BBC Two review - saying goodbye with Bruckner

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Being Beethoven, BBC Four review – from grubby kid to grumpy genius

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Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversity

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

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Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

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theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...

The Narrow Road to the Deep North, BBC One review - love, de...

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...