Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as...
The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought...
Album: Sam Fender - People Watching
While discourse on many topics grows toxic and polarised, it’s the voices who speak plainly about the reality of everyday lives that provide some...
East Is South, Hampstead Theatre review - bewildering and un...
Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to...
Hacks, Season 3, NOW review - acerbic showbiz comedy keeps u...
Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks...
Album: Basia Bulat - Basia's Palace
Canadian singer Basia Bulat has tried on various musical hats...
Josienne Clarke, Across the Evening Sky, Kings Place review...
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...
Shon Faye: Love in Exile review - the greatest feeling
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...
Blu-ray: Golem
In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth....