mon 17/12/2018

Peter Quantrill

Peter Quantrill's picture
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

Read more...

Die Walküre, Royal Opera review – putting family before sex

Read more...

Chiaroscuro Quartet, Kings Place review – antique melancholy

Read more...

LSO, Rattle, Barbican review - symphonies of death and new life

Read more...

theartsdesk in Korea: national pride and candour

Read more...

Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

Read more...

Christmas Oratorio, LPO, Jurowski, RFH review - right piece, wrong place

Read more...

Hough, Basel CO, Holliger, Cadogan Hall review - heavenly lengths in Schubert

Read more...

Romantics Anonymous, Shakespeare's Globe review - box of delights

Read more...

Bavouzet, BBCSO, Oramo, Barbican review - playing the long game in Sibelius

Read more...

Jacqueline du Pré: A Gift Beyond Words, BBC Four review - ode to joyful cellist

Read more...

Ensemble InterContemporain, Pintscher, RFH review - a visit from the gentle ghost of Boulez

Read more...

La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

Read more...

Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolution

Read more...

Prom 30 review: Bournemouth SO, Karabits - pagan fire and thunder

Read more...

The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory review – more than feel-good summer fun

Read more...

Pages

latest in today

Free Solo review - unbearable and glorious

Alex Honnold is part of a unique and often mythologised faction of the rock climbing community. To “free solo” is to climb without ropes or...

Epiphoni Consort, Reader, St Paul's Covent Garden revie...

Like a supermarket "Christmas Dinner" sandwich, cramming the delights of a full festive lunch into every bite, Epiphoni Consort’s...

Albums of the Year 2018: Nightports w/Matthew Bourne

Matthew Bourne has been a significant experimental and collaborative presence on the scene since 2001, when he won the Perrier Jazz...

Boris Akunin: Black City review - a novel to sharpen the wit...

It is 1914 – a fateful year for assassinations, war and revolution. The...

Reissue CDs Weekly: Tangerine Dream

In April 1973, John Peel wrote that “For my money, Tangerine...

Albums of the Year 2018: Black Merlin - Kosua

Kosua was released only last month, but its journey began two years ago when George Thompson, aka Black Merlin, released Hipnotik...

The Convert, Young Vic review - Africa's electric cry f...

Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at least, two of them have. ...