tue 19/03/2024

Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Così fan tutte, Garsington Opera review - gambling with the highest stakes

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Siegfried, RINGafa, St Mary’s Putney review - heroes everywhere

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Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

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Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

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Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

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King Lear, The Grange Festival review - friendship in adversity

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Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrow

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Siegfried, Göteborg Opera online review - a hero for our times

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Myaskovsky Dialogues, Yekaterinburg online review - revival and revelation

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Pavel Kolesnikov, Wigmore Hall online review - the joyful wisdom of the Goldbergs

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Paul Lewis, Wigmore Hall review – Classical consolations

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BSO, Karabits, The Lighthouse, Poole online review – stealing fire from the gods

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Istanbul International Music Festival online review – East-West flair and finesse

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Bernard Haitink: The Enigmatic Maestro, BBC Two review - saying goodbye with Bruckner

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Being Beethoven, BBC Four review – from grubby kid to grumpy genius

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Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversity

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latest in today

St Mary's Music School, RSNO, Søndergård, Usher Hall, E...

For the second year in a row the Royal Scottish National...

Manhunt, Apple TV+ review - all the President's men

President Abraham Lincoln was assassinated on 14 April 1865, five days after General Robert E Lee’s surrender at Appomatox signalled the end of...

Blu-ray: Beautiful Thing

Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE...

Bevan, Williams, BBCSO, MacMillan, Barbican review - inspira...

It began with the tolling of a lone bell and ended in a transcendent blaze of golden light. The UK premiere of James MacMillan’s Fiat Lux...

Salome, Irish National Opera review - imaginatively charted...

“Based on the play by Oscar Wilde,” declared publicity on Dublin buses and buildings, reminding opera-cautious citizens that the poet whose text...

Album: Elbow - Audio Vertigo

On this, their 10th album, the melodious...

First Person: conductor Peter Whelan on coming full circle w...

There's something undeniable about the way music can weave itself into the fabric of our lives, shaping our passions and leaving an indelible...

Music Reissues Weekly: The Mystic Tide - Frustration

Crashing chords are followed by a spindly, untrammelled solo guitar. After this subsides, the singer lays out the issue: “I try, I cry, I just can...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyn...

Most concert promoters will tell you that contemporary music tends to be, to put it politely, a tricky sell, which is one of the reasons why it’s...

The New Boy review - a mystical take on Australia's tre...

This is writer-director Warwick Thornton’s third...