Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
latest in today
L'enfant et les sortilèges, VOPERA, LPO, Reynolds onlin...
Colette’s sharply fantastical libretto for Ravel’s second one-act...
Possessor review - death by virtual reality
Many have struggled to bring a new slant to the horror genre,...
Album: Gary Barlow - Music Played By Humans
Gary Barlow’s Music Played By Humans is, in all but name, a...
Hillbilly Elegy review - misery in the heartland
Published in June 2016, J.D. Vance’s memoir Hillbilly Elegy became a best-seller around the time of that November’s presidential...
Album: Billie Joe Armstrong - No Fun Mondays
During the first lockdown in March, Green Day’s Billie Joe...
Extract: 'On Loneliness' by Fatimah Asghar, from...
The infamous border wall. Prolonged detention. Children in cages. Even as Biden's election promises a sea change in...
The Seven Deadly Sins, Opera North online review - viscerall...
Theatres are currently banned from moving scenery and props about on stage and you might expect this to present a major obstacle to a production...
Ariodante, Royal Opera online review – stylish, but confined
“After black and gloomy night, the sun shines all the brighter,” sings hero Ariodante after a life-threatening bout of jealousy nearly scuppers a...
‘Our whole industry is supported by vulnerable freelance cre...
I am not the first to say this, and I won’t be the last, but what a strange year 2020 has become! I am learning afresh what it is to be both a...