fri 18/10/2019

Peter Quantrill

Peter Quantrill's picture
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Fry, AAM, Egarr, Barbican review – revival and revolution

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Prom 68: Goerke, Gould, RPO, Albrecht review - the art of transition

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Prom 18: Andsnes, Mahnke, Skelton, BBCSO, Gardner review – all passion spent

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Prom 13: Des canyons aux étoiles..., BBCSO, Oramo review – cursory contemplations of earth and sky

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Vic Marks: Original Spin review - trouble in Taunton

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LSO, Guildhall School, Rattle, Barbican review - irresistible momentum

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Donnerstag aus Licht, Pascal, RFH review – indulgent genius at work

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La Damnation de Faust, Glyndebourne review – bleak and compelling makeover

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LSO, Rattle, Barbican review – a brace of souped-up symphonies

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Bach St John Passion, OAE, Rattle, RFH review – earnest devotions

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Biss, Philharmonia, Boyd, RFH review – compulsive life-force

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Così fan tutte, Royal Opera review - fine singing and elegant deceits

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Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offs

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

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Die Walküre, Royal Opera review – putting family before sex

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Chiaroscuro Quartet, Kings Place review – antique melancholy

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latest in today

Giri/Haji, BBC Two review - inspired Anglo-Japanese thriller...

Well here’s an interesting one. We’ve been up to our eyebrows in Eurocops for the past few years, but this Anglo-Japanese fusion from...

[Blank], Donmar Warehouse review - strong but dispiriting

Clean Break, the theatre company that specialises in working with women in the criminal justice system, is doing a lot of celebrating. It's the...

Non-Fiction - adultery spices up digitisation drama

It isn’t provable whether adultery is more accepted in French ...

Ehnes, Hallé, Gabel, Bridgewater Hall, Manchester review - h...

Changes from the artists originally advertised can bring some happy discoveries....

CD: Allah-Las - LAHS

It’s unfortunate that LAHS’s opening track is titled “Holding Pattern” as the album only achieves lift off with its ninth cut “Light...

Zombieland: Double Tap review - dead dull redo

Another unnecessary sequel: we’re used to this sort of thing. The film knows it, too, as lead dork Columbus (Jesse Eisenberg) meekly thanks the...

The Struts, O2 Forum Kentish Town review - a masterclass in...

Having exploded on to the scene like a cross between Queen and My Chemical Romance, Derby’s young glam-...

Dariescu, Moscow Philharmonic Orchestra, Simonov, Symphony H...

It remains some of the most terrifying music ever written....

Richard Hawley, Barrowland, Glasgow - black clad crooner...

When Richard Hawley arrived onstage, he had a confession to make. “I like to talk”, he declared, before adding “and play rock n’ roll”. Both were...