Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
latest in today
theartsdesk in Paris - following in the footsteps of Gounod
It’s a truism that history is written by the victors, but nowhere in classical music is the argument made more persuasively than in the legacy and...
CD: Let's Eat Grandma - I'm All Ears
Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s...
theartsdesk at Glastonbury Festival 2018
Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!
What? No! There IS no...
The Town Hall Affair, The Wooster Group, Barbican review - e...
Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in...
The Path to Heaven, RNCM, Manchester review - tragedy, truth...
Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval)...
Finishing the Picture, Finborough Theatre review - projectio...
In the early 20th century, Soviet filmmaker Lev Kuleshov spliced together images of people looking at things with a bowl of soup, a woman on a...
Kiss Me, Kate, Opera North, London Coliseum review - Cole Po...
First palpable hit of the evening: a full orchestra in the pit under hyper-alert...
theartsdesk on Vinyl 40: Talking Heads, Ornette Coleman, Cra...
Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the...