fri 19/04/2024

Peter Quantrill

Peter Quantrill's picture
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offs

Read more...

Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

Read more...

Die Walküre, Royal Opera review – putting family before sex

Read more...

Chiaroscuro Quartet, Kings Place review – antique melancholy

Read more...

LSO, Rattle, Barbican review - symphonies of death and new life

Read more...

theartsdesk in Korea: national pride and candour

Read more...

Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

Read more...

Christmas Oratorio, LPO, Jurowski, RFH review - right piece, wrong place

Read more...

Hough, Basel CO, Holliger, Cadogan Hall review - heavenly lengths in Schubert

Read more...

Romantics Anonymous, Shakespeare's Globe review - box of delights

Read more...

Bavouzet, BBCSO, Oramo, Barbican review - playing the long game in Sibelius

Read more...

Jacqueline du Pré: A Gift Beyond Words, BBC Four review - ode to joyful cellist

Read more...

Ensemble InterContemporain, Pintscher, RFH review - a visit from the gentle ghost of Boulez

Read more...

La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

Read more...

Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolution

Read more...

Prom 30 review: Bournemouth SO, Karabits - pagan fire and thunder

Read more...

Pages

latest in today

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...