thu 30/05/2024

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazilian jazz-pop, 1980s indie and more

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ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politics

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Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstar

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Album: The Weeknd - After Hours

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Album: The Boomtown Rats - Citizens of Boomtown

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Album: Moby - All Visible Objects

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Album: Sink Ya Teeth - Two

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theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and more

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Album: Huey Lewis and the News - Weather

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Brighton Festival 2020 launches with Guest Director Lemn Sissay

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Album: La Roux - Supervision

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Album: Kesha - High Road

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Album: Electric Soft Parade - Stages

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Albums of the Year 2019: The Chemical Brothers - No Geography

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theartsdesk on Vinyl Christmas Special 2019

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theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and more

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Murrihy, Martineau, Wigmore Hall review - poise, transformat...

Peerless among the constellation of Irish singers making waves around the world, mezzo Paula Murrihy first dazzled London as Ascanio in Terry...

Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride...

It’s entirely fitting that Jake Adelstein should have a poster for All the President’s Men on the wall of his Tokyo apartment, since it...

First Person: LIFT artistic director Kris Nelson on deliveri...

LIFT 2024 is nearly here. It’s a festival that will take you on deep and personal journeys. We’ve got shows that will catch your...

Beth Gibbons, Salle Pleyel, Paris review - a triumph of inti...

Beth Gibbons, once the voice of Portishead, and later a wonderful solo singer and songwriter, hasn’t been on stage for a long while. She makes the...

Boys From The Blackstuff, National Theatre review - a lyrica...

Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's...

Album: Richard Hawley - In This City They Call You Love

Hot on the heels of his Olivier Award-winning musical Standing at the Sky's Edge, comes In This City They Call You Love, ...

Tosca, Opera Holland Park review - passion and populism

Set in a tensely polarised Roman neighbourhood, with an election in the offing and radicals scrapping with reactionaries under poster-plastered...

St Martin's Voices, Earis, St Martin-in-the-Fields revi...

The concert offering at St-Martin-in-the-Fields has transformed in recent years, under Director of Music Andrew Earis. There is still a decent...

The Harmony Test, Hampstead Theatre review - pregnancy and p...

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward...

The Lovely Eggs, XOYO, Birmingham review - Lancashire duo br...

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday...