thu 18/04/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

United Queendom, Kensington Palace review - rollicking royal tale

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Lucy Porter, Quarterhouse, Folkestone review - confessions of an ex-Brownie

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Ahir Shah, West End Centre, Aldershot review - a millennial's existential angst

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Simon Brodkin, The Stables, Milton Keynes review - comics casts off his Lee Nelson character

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Alexei Sayle, Oxford Playhouse review - return of the political bruiser

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Upstart Crow, Gielgud Theatre review - terrific Shakespeare spoof

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Simon Evans, Blackheath Halls review - a big reveal worth waiting for

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Jen Brister, Soho Theatre review - parenting, privilege and porn under scrutiny

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David Baddiel, RST, Stratford-upon-Avon review - taking on the trolls

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Jayde Adams, Soho Theatre review - witty celebrity takedown

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Matt Forde, Soho Theatre review - Brexit and beyond

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Flo & Joan, Soho Theatre review - entertaining wit and whimsy

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Frank Skinner, Garrick Theatre review - a masterclass in owning the room

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Leicester Comedy Festival Gala Preview Show, De Montfort Hall review - mixed bag in mixed bill

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Magic Goes Wrong, Vaudeville Theatre review - entertaining spoof

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White House Farm, ITV review - gripping opener of true crime drama

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latest in today

Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos...

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

The Book of Clarence, review - larky jaunt through biblical...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...