fri 18/04/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

David Baddiel, RST, Stratford-upon-Avon review - taking on the trolls

Read more...

Jayde Adams, Soho Theatre review - witty celebrity takedown

Read more...

Matt Forde, Soho Theatre review - Brexit and beyond

Read more...

Flo & Joan, Soho Theatre review - entertaining wit and whimsy

Read more...

Frank Skinner, Garrick Theatre review - a masterclass in owning the room

Read more...

Leicester Comedy Festival Gala Preview Show, De Montfort Hall review - mixed bag in mixed bill

Read more...

Magic Goes Wrong, Vaudeville Theatre review - entertaining spoof

Read more...

White House Farm, ITV review - gripping opener of true crime drama

Read more...

Best of 2019: Comedy

Read more...

Gavin & Stacey Christmas Special, BBC One - a big cwtch from Barry

Read more...

Peter Pan Goes Wrong, Alexandra Palace Theatre review - JM Barrie's classic as you have never seen it before

Read more...

Agatha and the Curse of Ishtar, Channel 5 review - a diverting melding of fact and fiction

Read more...

Goldilocks and the Three Bears, London Palladium review - joyously filthy fun

Read more...

Adam Kay, Bloomsbury Theatre review - festive tales from the NHS coalface

Read more...

ABBA: Super Troupers The Exhibition, O2 - one for the supergroup's completists

Read more...

Andy Parsons, Stamford Corn Exchange review - politics and the art of persuasion

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...

A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...

Blue Road: The Edna O'Brien Story - compelling portrait...

“I was born with the ability and the demon to write. I have been punished for it constantly.”

Written and directed by Sinéad O’Shea, this...

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...

The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...

Album: Gigspanner Big Band - Turnstone

For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...

All the Happy Things, Soho Theatre review - deep feelings, b...

The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...

London Choral Sinfonia, Waldron, Smith Square Hall review -...

The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...

Album: Mark Morton - Without the Pain

Mark Morton is best known as a guitarist with US...

The Forsythe Programme, English National Ballet review - bra...

It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...

Manic Street Preachers, Barrowland, Glasgow review - elder s...

As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...