mon 30/06/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2019 reviews: Alun Cochrane/ Sarah Keyworth/ Glenn Moore/ Sophie Duker

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Edinburgh Fringe 2019 reviews: Catherine Bohart / Matt Parker / Nigel Ng / Zoë Coombs Marr

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Edinburgh Fringe 2019 reviews: Phil Wang/ London Hughes/ Jack Gleadow/ Mr. Thing

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Edinburgh Fringe 2019 reviews: Joanne McNally/ The Crown Dual/ Maisie Adam/ James McNicholas/ Titania McGrath

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Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

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Edinburgh Fringe 2019 reviews: Clive Anderson / Goodbear

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Edinburgh Fringe 2019 reviews: Nick Helm/ Just These Please/ Anna Drezen

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Edinburgh Fringe 2019 reviews: Josie Long / Snort / Sara Barron

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Edinburgh Fringe 2019 reviews: Ciaran Dowd/ Tom Parry/ Suzi Ruffell, Pleasance Courtyard

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Who Do You Think You Are? - Naomie Harris, BBC One review - shocks old and new

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k.d.lang, Brighton Dome review - superb revival of classic album

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Robin Ince, Soho Theatre review - fun among the chaos

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Jerry Seinfeld, Eventim Apollo review - slick and smart but curiously soulless

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Arthur Smith, Soho Theatre review - charming tribute to his father

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Noises Off, Lyric Hammersmith review - farce doesn't catch fire

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Mum, Series 3 finale, BBC Two review - superb comedy bows out

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Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...